Wednesday, January 22, 2014

Syllabus for Spring Play Production 2016



Welcome to Play Production, the purpose of which is to introduce you to the world of theatre, and to produce plays. I hope Play Production will be fun,  educational and exciting for you.  In this class you will be introduced to the art and craft of acting, where you will learn about character development, script analysis, theatrical terms and conventions.  You will also learn about proper theatre protocol in terms of working with other actors and with the director, and appropriate behavior both as an actor, a theatre technician,  and as an audience member.

We will work on your character’s relationships with the other characters; the character's objectives or motivations. We will use acting exercises such as the "Inciting Event", where you will create a scene which occurs before the play which sets up your character's situation.  Other acting exercises will be the "Entrance Exercise" which is where you enter the room as the character, bringing in with you the character's experiences from the past day.  The "Exit Exercise" is where you exit the room as the character, going into another space, going towards another objective, or destination.  We will also borrow from the great acting masters, such as Sanford Meisner, Stella Adler, Uta Hagen, and of course, Constantin Stanislavski.

The class will start with some vocal, relaxation and/or acting exercises and some theatre games.  Then I will work with one or two groups per class session on blocking, script analysis and character development.  For each scene you do, you will create the "inciting event", the "entrance exercise" and the "exit exercise". After two or three rehearsals with me, you will then perform the scene (WHICH MUST BE MEMORIZED!)  before the class, which will be taped.  You will watch the tape and write a reflection on your work, following a format which will be provided for you.

During the final performance of the scene, you must have the scene memorized exactly the way it is written, you must perform the blocking and the direction as we rehearsed, and you must use props.

You are expected to keep a three-pronged light weight folder in which you are expected to keep all handouts, including this, and your scripts.  You will be given a copy of your script and you are expected to BRING IT EVERY DAY! If you do not, you will receive an "F" for that day; you will be loaned a copy of your script in exchange for some collateral property (cell phone, shoe, backpack). When you return the borrowed script, your property will be returned to you. If you lose your script, then you will have to copy the script out by hand.  Copies are at a premium and there is a very small quota per month to make copies.

You are expected to work on at least one of the following: 

On the spring musical, HAIR SPRAY, either as a performer or as a technician, such as a member of the floor crew, light crew, prop crew or costume crew, or as the light or sound operator.  

Or on the spring production of ALMOST, MAINE, which is a series of eight plays slated for performance on Thursday and Friday, April 7th and 8th in 503.

Or work on scenes in the class which you will perform in Thursday Theatre. You must perform at least two scenes this semester in Thursday Theatre. The first performance must be before March 25th, and the second performance  must be before May 13th.

You are also expected to either attend the Magnet performances of ALMOST MAINE, HAIRSPRAY, and the dance show, or to tech or usher the performances.

There is NO EATING NOR DRINKING FROM CANS in class. We have had in the past a major infestation of rats and cockroaches from food left behind and sticky residue from spilled soft drinks. The custodial staff has been drastically cut and Room 503 is never swept, mopped nor cleaned, except when your teacher does it.  And it's a big room.

You will be graded on your participation.  You are expected to show up on time, ready to participate in all the acting and vocal exercises and theatre games at the beginning of the class, and in all of the assignments and rehearsals of the scenes.  When you are not rehearsing with me, then you must be in your assigned areas rehearsing with your fellow actors.  When you perform your scenes you must have your lines and blocking memorized and perform the scene to the best of your ability.  Failure to do so will result in a much lower grade and perhaps failing the class.

The class will only be as good as we all make it. Please be aware that you are working with other people and that your behavior and effort will affect them, their work and their grade.  Furthermore, it is imperative that we create an atmosphere of respect - respect for our fellow students, respect for the director, and respect for ourselves.  Please show respect by refraining from rude comments or actions, or talking or texting during class.  Please do not text during other students' scenes.  Please remember that it is ILLEGAL and against district policy to record another student during school. Students can only do their best work when they feel safe and valued, so please give positive support during students' performances.

The grading scale is as follows:

90% - 100% = A
80% -   89% = B
70% -   79% = C
60% -   69% = D
Below 60%  = Fail

Participation: 30%
Scene Work: 40%
Group Work: 30%

I look forward to working with you and helping you grow as a young adult, a student and as an artist.

__________________________________________________________

Student:
I have read and I understand the requirements of the class:
__________________________________________________________
Parent or Guardian:
I have read and I understand the requirements of the class:
________________________________________________________________________________





Tuesday, January 21, 2014

January 21, 2014 - January 24, 2014 Play Production

Tuesday, January 21st:
Rehearse scenes
Work with:
Emily and Jayna on UNCOMMON WOMEN

Wednesday, January 22nd:
Rehearse scenes
Work with:
Emily and Jayne on UNCOMMON WOMEN
Joanna and Emmily on AGNES of GOD

Thursday, January 23rd:
Tony Torissi will be here
Rehearse scenes
Work with:
Edilmira and Jennifer on THE CHILDREN'S HOUR

Friday, January 24th:
Rehearse scenes
Work with:
Josue and Daniel on TRUE WEST

Thursday, January 16, 2014

January 13, 2014 - January 17, 2014 Weekly Agenda for Play Production






Monday, January 13th:
Check in. Welcome!

Tuesday, January 14th:

No class

Wednesday, January 15th:

Prepare scenes 

Thursday, January 16th:

Tony Torissi here today. He worked with Pamela and Cody.

I work with Jayna and Emily on UNCOMMON WOMEN

Friday, January 17th:

Break into groups to rehearse.
Rehearse with Jayna and Emily on UNCOMMON WOMEN


Tuesday, January 07, 2014

2014 Spring Agenda for Play Production

January 13 - 17: 

Work with scenes
Block 
Motivation 
Focus
In the Moment
Relationship

January 20 - 24:

Most Pivotal Moment
Continue Rehearsing Scenes

January 27 - 31:

Most Pivotal Moment
Continue Rehearsing Scenes

February 3 - 7:

Perform scenes

February 10 - 14:

Choose scenes for Class Presentations
Work with scenes
Block
Motivation
Focus
In the Moment
Relationship

February 17 - 21:

Most Pivotal Moment
Continue Rehearsing Scenes

February 24 - 28:

The Entrance Exercise
Continue Rehearsing Scenes

March 3 - 7:

The Exit Exercise
Performances:
Thursday, March 6th @ 3:30
Friday, March 7th @ 3:30 and 7:00

March 10 - 14:

Choose new scenes
Block
Motivation
Focus
In the Moment
Relationship

March 17 - 21:

Most Pivotal Moment
Continue rehearsing scenes 

March 24 - 28th:

Most Pivotal Moment
Continue rehearsing scenes

March 31 - April 4th:

The Entrance Exercise 
Continue rehearsing scenes

April 7 - 11:

The Exit Exercise 
Performance of Scenes

April 14 - 18th:

Spring Break 

April 21 - 25:

Begin rehearsing with the cast of SPRING AWAKENING

April 28 - May 3:

Rehearse SPRING AWAKENING 

May 5 - 10:

Rehearsal and performance of SPRING AWAKENING

May 11 - 18:

Rehearsal and performance of SPRING AWAKENING 

May 19 - 23:

Clean up: costumes, props, lights, sets; clean up stage, backstage and dressing rooms

May 26 - 30:

Theatre games, improvs

May 28th: Last day for Seniors

June 2 - 6:

Finals









Friday, November 29, 2013

December 2, 2013 - December 8, 2013 Weekly Rehearsal and Performance Schedule for DRACULA

Monday, December 2nd: 

1:15 - 2:10:
Rehearse with Seward, Renfield, and Lucy

2:15 - 3:04:
Rehearse with Dracula, Harker

3:15 - 9:00
Run-through
Cue to Cue
Technical Rehearsal with props, costumes, sound and lights

Tuesday, December 3rd: 

Shortened Day

2:00 - 4:15:
Technical Rehearsal

4:15 - 9:00
Run-through
Cue to Cue
Technical Rehearsal with props, costumes, sound and lights

Wednesday, December 4th: 

School Dismissal Time: 2:24

2:30 - 3:30
Technical Rehearsal

3:30 - 9:00
Dress Rehearsal

Thursday, December 5th: 

1:15 - 2:10:
Rehearse with Dracula, Seward, Renfield, and Lucy

2:15 - 3:04:
Rehearse with Harker and Dracula

3:15 - 5:00:
Rehearse with Kiyomi, Kira, Ray, Alex, Eddie, Michael

5:30 Call:
Costume, Make-up, Warm-ups

7:00 pm Curtain
9:30 pm Curtain
Clean up

Friday, December 6th:

1:15 - 2:10:
Rehearse with Dracula, Seward, Renfield, and Lucy

2:15 - 3:04
Rehearse with Harker and Dracula

3:15 - 5:00:
Rehearse with Melissa, Kira, Ray, Alex, Eddie, Michael

5:30 Call:
Costume, Make-up, Warm-ups

7:00 pm Curtain 
9:30 pm Clean up

Saturday, December 7th: 

3:00 - 5:00 Rehearse with Melissa, Wolf, Alex, Eddie, Michael

5:30 Call: 
Costume, Make-up, Warm-ups

7:00 pm Curtain 
9:00 pm Clean up

Sunday, December 8th: 

11:00:
Rehearse with Malik, Wolf, Michael, Lucy, Mina, 

12:00 Call:
Costume, Make-up, Warm-ups

2:00 pm Curtain
4:30 pm Clean up



Thursday, November 28, 2013

November 25, 2013 - November 30, 2013 Rehearsal Schedule for DRACULA

Monday, November 25th:
9:00 - 2:00
Run-through of entire play

Tuesday, November 26th:
9:00 - 3:00
Run-through of entire play

Wednesday, November 27th:
9:00 - 2:00
Run-through of Act 2 twice
Run-through of Act 1 once

Thursday, November 28th:
Off

Friday, November 29th:
Off

Saturday, November 30th:
11:00 - 4:00
Run-through of Act 1 twice
Run-through of Act 2 twice

November 18 - November 23rd Rehearsal Schedule for DRACULA



















Monday, November 18th:
3:15 - 8:00
Run through of Act 2

Tuesday, November 19th:
3:15 - 8:00
Run through of Act 1

Wednesday, November 20th:
3:15 - 8:00
Run through of entire play

Thursday, November 21st:
3:15 - 8:00
Run through of entire play

Friday, November 22nd:
3:15 - 8:00
Run through of play

Saturday, November 23rd:
10:00 - 2:00
Costume Fitting at Valentino's
7234 Green Bush in Van Nuys

Sunday, November 10, 2013

November 12th - November 16th DRACULA REHEARSAL

Tuesday, November 12th:
MUST BE OFF BOOK FOR ACT 1!
3:00 - 7:00: Work through Act 1

Wednesday, November 13th:
3:00 - 7:00: Work through Act  2

Thursday, November 14th:
3:00 -  6:00: Work through Act 2

Friday, November 15th:
3:00 - 6:00: Stumble through

Saturday, November 16th:
9:00 - 2:00: Stumble through of Act 1 and Act 2
with costume pieces and props

Sunday, November 03, 2013

November 4, 2013 - November 9, 2013 Weekly Rehearsal Schedule 

Monday, November 4th: 
3:15 - 6:00: Run-through of Act 1
6:00 - 7:00: Pages 30 - 34; Seward, Mina, Van Helsing, Harker, Lucy 

Tuesday, November 5th: 
Shortened Day: 
Rehearsal: 4:30 - 7:00
Run through of Act 1

Wednesday, November 6th: 
3:15 - 6:00: Run-through of Act 2
6:00 - 7:00: Pages 44 - 48; Van Helsing, Seward, Mina, Lucy

Thursday, November 7th: 
3:15 - 6:00: Run-through of Act 2
6:00 - 7:00: Pages 51 - 56; Seward, Lucy, Joana, Mina, Van Helsing and Harker

Friday, November 8th: 
3:15 - 6:00:  Run-through

Saturday, November 9th: 
9:00 - 2:00: Run-through of entire play

November 12th: Must be off-book for Act 1. 


Please don’t forget ad sales!!!

Saturday, October 26, 2013






Scene Break Down for Dracula

Act 1

Renfield, Attendants:
Dinner Table
Pages: 9 - 10; 

Lucy and Mina: 
Lucy’s Room at sunset
Pages: 10 - 11; 12 - 14, 19; 

Harker: 
At night in a Carpathian Inn
Pages: 11 - 12; 
Dracula’s Castle
14; 18; 20

Seward and Lucy: 
Lucy’s Room at Noon
Pages: 14 - 16

Seward, Renfield, Attendants: 
Renfield’s Cell
Pages 16 - 18; 19 - 20; 29 - 30

Lucy, MIna, Joana: 
Lucy’s Room 
Pages 12 - 13; 

Harker, Mina, Lucy, Renfield, Seward:
Dracula’s Castle, Lucy’s Room, Renfield’s Cell
Pages 21

Seward and Dracula:
Ship Wreck on the Coast of England 
Pages 22 - 23

Lucy, Mina, Seward, Joana: 
Lucy’s Bedroom; Morning 
Pages 23 - 26

Maid and Dracula:
Lucy’s Front Door; Evening 
Page 26

Mina and Harker
A Sanitarium in Budapest
Pages 26 - 27

Lucy and Dracula:
Lucy’s bedroom, Night
Pages 27 - 28

Van Helsing: 
Alone
Page 30

Van Helsing, Seward, Lucy
Lucy’s Bedroom, Day
Pages 30 - 32

Seward, Mina, Van Helsing, Harker, 
Lucy’s Bedroom, Day
Pages 33 - 34

Van Helsing, Mina
Lucy’s House, Night
Pages 34, 37, 39 - 40, 41

Harker, Dracula
Dracula’s Castle, Night
Pages 35, 38 - 39, 40, 

Vixens, Harker, Dracula
Dracula’s Castle, Night
Page 42 - 43

Mina, Harker, Renfield, Dracula, Van Helsing 
Lucy’s House, Renfield’s Cell, Dracula’s Castle 
Page 43

Act 2

Van Helsing, Seward, Mina
Guest room in the Asylum
Pages 44 - 45

Van Helsing, Mina
Guest room in the Asylum 
Pages 45 - 47

Seward, Lucy, Van Helsing, Mina, Attendant
Guest room in the asylum
Pages 47 - 48

Renfield, Seward, Van Helsing, Attendants
Renfield’s cell
Pages 48 - 51

Seward, Lucy, Joana, Mina, 
Guest room in the Asylum
Pages 51 - 52

Seward and Lucy 
Guest room in the asylum
Pages 52 - 53

Seward, Lucy, Van Helsing, Harker
Guest room in the asylum
Pages 53 - 56


Attendants, Renfield, Dracula
Renfield’s Cell
Pages 56 - 57

Mina, Harker 
The Guest Room
Pages 58 - 59

Renfield
Renfield’s Cell
Page 59 

Van Helsing, Seward, Harker, Lucy
The Cemetery
Pages 59 - 63

Renfield
Renfield’s Cell
Page 64

Harker, Mina, 
The Guest Room
Pages 64 - 65


Van Helsing
Speaking to the audience
Page 65

Van Helsing, Mina, Harker, Seward, Attendant
The Guest Room 
Pages 65 - 69

Mina, Harker, Renfield, Dracula, 
The Guest Room
Pages 69 - 76

Harker, Van Helsing, Seward, Mina, 
On the Orient Express
Pages 76 - 77

Seward, Harker on the Boat/Mina and Van Helsing by Wagon
Pages 77 - 78

Seward, Harker, Van Helsing, Mina, Lucy, Dracula,Vixens
Dracula’s Castle 
Pages 77 - 83
Curtain Call
Renfield with attendants, rest of cast 
At dinner table
Page 83 



October 28, 2013 - November 2, 2013 Rehearsal Schedule for DRACULA






October 28, 2013 - November 2, 2013

Monday, October 28th: 
6th Period: Rehearse with Renfield and Seward, Seward and Lucy 
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Rehearse pages 64 - 73
5:00 - 6:00: Rehearse with Van Helsing, Mina, Harker, Seward

Tuesday, October 29th: 
No rehearsal today. 
Work on Haunted House

Wednesday, October 30th: 
6th Period: Rehearse with Renfield and Seward, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 6:00: Rehearse with Mr. Itkin today in room 503
Stumble through of Act 2 to page 73

Thursday, October 31st: 
6th Period: Rehearse with Renfield and Seward, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Rehearse from page 74 to 83
5:00 - 6:00: Rehearse with Van Helsing, Seward, Mina, Harker

Friday, November 1st: 
6th Period: Rehearse with Renfield and Seward, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 6:00: Stumble through of Act 2


Saturday, November 2nd:

10:00 - 3:00: Stumble through of Act 1 

Saturday, October 19, 2013

October 21, 2013 - October 25, 2013 Weekly Agenda for Dracula


Please be aware that we may call a costume rehearsal this week where we will meet with our costumer who will measure you for costumes.  She will arrive at the earliest by 5:45 which will necessitate our staying until 7. As soon as I know which day she will visit us, I will let you know.
Thank you for your cooperation and understanding.

Monday, October 21st:
6th Period: Rehearse with Renfield and Seward; Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Rehearse Act 2; pages 44 - 52
5:00 - 6:00: Rehearse with Seward, Renfield, Van Helsing and Attendants; Act 2: pages 48 - 51

Tuesday, October 22nd:
6th Period: Rehearse with Seward and Lucy; Seward and Renfield
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Continue rehearsing Act 2; pages 48 - 56
5:00 - 6:00: Rehearse with Dracula and Renfield; Mina and Harker; pages 57 - 59

Wednesday, October 23rd:
6th Period: Rehearse with Seward and Renfield, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Rehearse Act 2; pages 59 - 69
5:00 - 6:00: Rehearse with Van Helsing, Seward and Harker; pages 59 - 60; 62 - 63; 66 - 68

Thursday, October 24th:
6th Period: Rehearse with Seward and Renfield, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 500: Rehearse Act 2; pages 69 - 83
5:00 - 6:00: Rehearse with Seward, Mina, Harker, Van Helsing, Dracula, Renfield; pages 76 - 83

Friday, October 25th:
No rehearsal today. I will not be in school today. Please spend your time memorizing your lines!


Sunday, October 13, 2013

October 14, 2013 - October 18, 2013 DRACULA REHEARSAL SCHEDULE

Monday, October 14th:
7th Period:
Work with Seward and Lucy
3:15 - 5: 00: Rehearsal
Rehearse pages 71 - 83
Renfield, Dracula, Mina, Harker, Seward, Van Helsing,
5:00 - 6:00
Rehearse Harker and Dracula's scenes
Pages 35 - 39, 38 - 39, 40 - 41

Tuesday, October 15th:
Shortened Day
Dismissal Time: 1:33
3:15 - 5:00: Rehearsal
Rehearse pages 9 - 21
Renfield, Attendants, Mina, Lucy, Harker, Maid, Seward
5:00 -  6:00
Rehearse Lucy and Mina's scenes
Pages 10 - 11, 12 - 14, 19, 23

Wednesday, October 16th:
Shortened Day
Dismissal Time: 2:24
3:15 - 5:00: Rehearsal
Rehearse pages 22 - 30
Seward, Dracula, Lucy, Mina, Maid, Harker, Renfield, Attendant

Thursday, October 17th:
6th Period:
Rehearse with:
Seward and Renfield

7th Period:
Rehearse with:
Dracula and Harker
3:15 - 5:00
Rehearse pages 30 - 43
Van Helsing, Lucy, Seward, Mina, Harker, Dracula, Attendants,
5:30 - 7:30
Parent Conference

Friday, October 18th:
Minimum Day:
Dismissal Time: 12:36
6th Period:
Rehearse with Lucy and Seward
7th Period:
Rehearse with Dracula and Harker
Rehearsal:
1:15 - 5:00:
Rehearse Act 1




Sunday, October 06, 2013

October 7, 2013 - October 11, 2013 Weekly Agenda for DRACULA

Monday, October 7th:
7th Period:
Review Act One up to page 30
3:15 - 3:45
Acting Exercises: Commit to memory three phrases from DRACULA which express three aspects of  your character: one phrase from the beginning of the play when your character is in a state of peace, innocence, or has not yet taken a plan of action; one phrase from the middle of the play when your character is in the middle of it all - in a state of confusion, hope, or despair; and one phrase when your character has reached a place of peace, realization, triumph, or destruction.  These phrases represent your character's arc in the play.
3:45 - 5:00
Act One; page 30 - 43
Van Helsing, Seward, Lucy, Mina, Harker, Dracula, Vixens

Tuesday, October 8th:
7th Period: Sandy Meisner Exercise
3:15 - 5:00
Review Act One

Wednesday, October 9th:
7th Period: The Character's Most Pivotal Moment: The Inciting Event
3:15 - 5:00
Act Two:
Pages 44 - 56
Van Helsing, Seward, Mina, Lucy, Renfield, Female Attendant,

Thursday, October 10th:
7th Period: The Character's Most Pivotal Moment: The Inciting Event
3:15 - 5:00
Act Two:
Review: Pages 44 - 56
PRESS ON!
Pages 56 - 65
Dracula, Renfield, Mina, Harker, Van Helsing, Seward, Lucy,

Friday, October 11th:
7th Period: The Character's Most Pivotal Moment: The Inciting Event
3:15 - 5:00
Review Pages 44 - 65
PRESS ON!
Pages 65 - 75
Harker, Mina, Van Helsing, Seward, Dracula,



Saturday, September 28, 2013

SEPTEMBER 30, 2013 - OCTOBER 4, 2013 DRACULA REHEARSALS

Monday, September 30th:
7th Period:
Act 1, Scene 1; Pages 10 - 16
Work with Mina, Lucy, Harker, Seward, Maid,
3:15 - 5:00:
Continue working with Mina, Lucy, Harker, Seward, Maid
Pages 9 - 21: Add Renfield and Attendants

Tuesday, October 1st:
Shortened day: Periods 4 - 7th
7th Period:
Review: Pages 10 - 16

Wednesday, October 2nd:
Regular Schedule:
7th Period:
Act 1, Scene 1; Pages 22 - 28
Work with Seward, Dracula, Mina, Lucy, Maid, Harker
3:15 - 5:00:
Continue working with Seward, Dracula, Mina, Lucy, Maid, Harker on pages 22 - 28
Pages 16 - 22; add Renfield and Attendants
Review pages 22 - 30

Thursday, October 3rd:
7th Period:
Act 1, Scene 1; Pages 10 - 16;
Work with Mina, Harker, Seward, Maid,
Pages 22 - 28: Work with Seward, Dracula, Mina, Lucy, Maid and Harker
3:15 - 5:00:
Continue working with Seward, Dracula, Mina, Lucy, Maid and Harker on pages 29 - 34
Add Van Helson, Renfield and attendant

Friday, October 4th:
7th Period:
Review Act 1, Scene 1;
Pages 10 - 16
Work with Mina, Harker, Seward and Maid
Pages 22 - 28: Seward, Dracula, Mina, Lucy, Maid, and Harker
3:15 - 5:00:
Pages 29 - 34
Add Van Helsing, Renfied and attendant


Sunday, September 22, 2013

SEPTEMBER 23, 2013 - SEPTEMBER 27, 2013 WEEKLY REHEARSAL for DRACULA

















 DRACULA REHEARSAL SCHEDULE
SEPTEMBER 23, 2013 – SEPTEMBER 27, 2013
Monday, September 23rd:
Call backs

Tuesday, September 24th:
Post cast list
Assign crews and responsibilities:
Publicity
Programs
Sets
Props
Costumes

Wednesday, September 25th:
Schedules
Contracts
Read through of DRACULA

Thursday, September 26th:
Read through of DRACULA

Friday, September 27th:
Read through of DRACULA


Saturday, September 14, 2013

September 9, 2013 - September 13, 2013 Weekly Agenda for Play Production

Monday, September 9th: 

The Entrance Exercise:
Rehearse: 
"The Bar"
Pamela, Marat, Omar, Josue, Christian

Tuesday, September  10th: 


The Entrance Exercise: 
Rehearse:
"The Bar"
Pamela, Marat, Omar, Josue, Christian

Wednesday, September 11th: 

The Entrance Exercise: 
Rehearse: 
"What's Going on at Hollywood":
Cody, Michael, Daniel, Christopher, Emmily 

Thursday, September 12th: 

The Young Arts Presentations

Friday, September 13th:

The Entrance Exercise: 
Rehearse: 
"Ironic Test Taking"
Jennifer, Edelmira, Bagdasar, Anton

Rehearse: 
"High School Lunch Time Meanness"
Jayna, Emmilie, Anna 

The Entrance Exercise: 
Performance: 
"Ironic Test Taking"
Jennifer, Edelmira Bagdasar, Anton 

The Entrance Exercise: 
Performance: 
"The Bar"
Pamela, Marat, Omar, Josue, Christian 

Monday, September 02, 2013

September 3, 2013 - September 6, 2013 Weekly Agenda for Play Production

Wednesday, September 4th: 

Warm-ups:

Three Scenes and a Phrase

The Entrance Game

Friday, September 6th: 

Warm-ups:

Three Scenes and a Phrase

The Entrance Game

Monday, April 29, 2013

APRIL 29, 2013 - MAY 3, 2013 WEEKLY AGENDA FOR PLAY PRODUCTION

Monday, April 29th:
Watch A STREET CAR NAMED DESRIE

Tuesday, April 30th:
Watch A STREET CAR NAMED DESIRE

Wednesday, May 1st:
Watch A GLASS MENAGERIE

Thursday, May 2nd:
Watch  A GLASS MENAGERIE

Friday, May 3rd:
Watch  A CAT on a HOT TIN ROOF

Monday, April 22, 2013

April 22, 2013 - April 26, 2013 Play Production Weekly Agenda

Tuesday, April 22nd:
Clean up: the stage; the back stage
Take  costumes back to costume shop
Take props back to the prop shop

Thursday, April 23rd:
Read A STREET CAR NAMED DESIRE

Friday, April 24th:
Read A STREET CAR NAMED DESIRE

Monday, April 15, 2013


April 15th, 2013 - April 19, 2013 Weekly Rehearsal and Performance Schedule for
A DERANGED EVENING OF THEATRE: 8 PLAYLETS BY CHRISTOPHER DURANG

Monday, April 15th:
2:15 - 6:00:
EVERYONE! Run-through with sound, props and costumes
Assign props, costumes, floor crew

Tuesday, April 16th:
2:15 - 6:00:
EVERYONE! Run-through with sound, props and costumes
Assign props, costumes, floor crew

Wednesday, April 17th:
2:15 - 7:00:
EVERYONE! Run-through with props, costumes and lights!

Thursday, April 18th:
2:15: Call
2:15 - 3:30: Rehearsal/Prep
4:00: Curtain!
1-900-DESPERATE
ONE-MINUTE PLAY
DMV TYRANT
DESIRE, DESIRE, DESIRE
WANDA’S VISIT
5:10: Clean up

Friday, April 19th:
2;15: CALL
2:15 - 3:30: Rehearsal/Prep
4:00: Curtain!
THE FUNERAL PARLOR
DMV PARLOR
PHYLLIS and XENOBIA
1-900-DESPERATE
FOR WHOM the SOUTHERN BELL TOLLS
5:10: CLEAN UP

6:00: CALL
7:00: CURTAIN
FUNERAL PARLOR
DMV TYRANT
THE ONE MINUTE PLAY
1-900-DESPERATE
PHYLLIS and XENOBIA
DESIRE, DESIRE, DESIRE
INTERMISSION
WANDA’S VISIT
FOR WHOM THE SOUTHERN BELL TOLLS

THE LINE UP FOR THE SHOWS MAY CHANGE

Monday, April 08, 2013

APRIL 8, 2013 - APRIL 13, 2013
REHEARSAL SCHEDULE FOR SPRING PLAY PRODUCTION

Monday, April 8th:
6th Period:
WANDA’S VISIT
3:05 - 6:00:
DESIRE, DESIRE, DESIRE

Tuesday, April 9th:
6th Period:
DESIRE, DESIRE, DESIRE
3:05 - 4:00: FUNERAL PARLOR
4:00 - 6:00: WANDA’S VISIT



Wednesday, April 10th:
6th Period:
Ms. Bridges: FOR WHOM the SOUTHERN BELLE TOLLS
Tony: PHYLLIS and XENOBIA
3:05 - 4:00:
Tony: FUNERAL PARLOR
4:00 - 5:00:
Tony: DMV TYRANT
5:00 - 6:00:
Tony: ONE MINUTE PLAY
3:05 - 6:00:
Ms. Bridges: DESIRE, DESIRE, DESIRE
5:00 - 6:00: Selected scenes from DESIRE, DESIRE, DESIRE

Thursday, April 11th:
6th Period:
Ms Bridges: FOR WHOM the SOUTHERN BELLE TOLLS
Tony: PHYLLIS and XENOBIA
3:05 - 4:00:
Tony: ONE MINUTE PLAY
4:00 - 5:00:
Tony: FUNERAL PARLOR
5:00 - 6:00:
Tony: DESIRE, DESIRE, DESIRE
3:05 - 6:00:
Ms.Bridges: WANDA’S VISIT

Friday, April 12th:
6th Period:
Ms. Bridges:
PHYLLIS and XENOBIA
FUNERAL PARLOR
DMV TYRANT
ONE MINUTE PLAY
1-900-DESPERATE
3:05 - 5:00:
Ms. Bridges: FOR WHOM the SOUTHERN BELLE TOLLS

Saturday, April 13th:
10:00 - 12:30:
Ms. Bridges: DESIRE, DESIRE, DESIRE
12:30 - 3:00:
Ms. Bridges: FOR WHOM the SOUTHERN BELLE TOLLS
Tony:
10:00 - 11:00: 1-900-DESPERATE
11:00 - 2:00: WANDA’S VISIT




Monday, March 25, 2013

April 2, 2013 - April 5, 2013 Rehearsal Schedule for Christopher Durang

Tuesday, April 2nd:
Shortened Day
1:40 - 3:05: FOR WHOM the SOUTHERN BELLE TOLLS with Ms. Bridges
2:00 - 4:00: WANDA'S VISIT with Tony
3:05 - 5:00: DESIRE, DESIRE, DESIRE with Ms. Bridges
4:00 - 5:00: PHYLLIS and XENOBIA with Tony
5:00 - 6:00: Ericka in DESIRE; Darlene in 1-900-DESPERATE

Wednesday, April 3rd:
6th Period: WANDA'S VISIT (pages 85 - 89): Wanda, Jim, Marsha, Waiter and Gangsters
6th Period: FUNERAL PARLOR with Tony
3:05 - 5:00: DESIRE, DESIRE, DESIRE with Ms. Bridges
3:05 - 4:00: DMV TYRANT with Tony
4:00 - 5:00: PHYLLIS and XENOBIA  with Tony
5:00 - 6:00: ONE MINUTE PLAY with Tony
5:00 - 6:00: 1-900-DESPERATE with Ms. Bridges

Thursday, April 4th:
6th Period: WANDA'S VISIT with Ms. Bridges
6th Period: FOR WHOM the SOUTHERN BELLE TOLLS with Tony
3:05 - 5:00: WANDA'S VISIT with Ms. Bridges
3:05 - 5:00: FOR WHOM the SOUTHERN BELL TOLLS with Tony
5:00 - 6:00: 1-900-DESPERATE with Ms. Bridges
5:00 - 6:00: ONE MINUTE PLAY with Tony

Friday, April 5th:
6th Period: FUNERAL PARLOR
3:05 - 4:00: 1-900-DESPERATE
4:00 - 5:00: DMV TYRANT

Monday, March 18, 2013

March 18, 2013 - March 22, 2013

March 18, 2013 - March 22, 2013


REHEARSAL SCHEDULE for AN EVENING of DURANGED THEATRE: Eight Short Plays by Christopher Durang

Monday, March 18th:
6th Period:
FOR WHOM the SOUTHERN BELLE TOLLS
2:15 - 5:00
FOR WHOM the SOUTHERN BELLE TOLLS

Tuesday, March 19th:
6th Period:
WANDA'S VISIT
1:40 - 3:00
WANDA'S VISIT

Wednesday, March 20th:
6th Period:
DESIRE, DESIRE, DESIRE
3:05 - 5:00
DESIRE, DESIRE, DESIRE

Thursday, March 21st:
6th Period:
WANDA'S VISIT
Tony:
DMV TYRANT
3:05 - 5:00
WANDA'S VISIT
Tony:
THE FUNERAL PARLOR

Friday, March 22nd:
6th Period:
XENOBIA and PHYLLIS
12:30 - 2:30 p.m.
1-900-DESPERATE
ONE MINUTE PLAY




Saturday, March 09, 2013

March 11, 2013 - March 15, 2013


REHEARSAL SCHEDULE for AN EVENING of DURANGED THEATRE

Monday, March 11th:
6th Period:
Tony is here!
PHYLLIS and XENOBIA
DESIRE, DESIRE, DESIRE
3:05 - 5:00
WANDA'S VISIT

Tuesday, March 12th:
Not a shortened day!
6th Period:
DMV TYRANT
3:05 - 5:00
DESIRE, DESIRE, DESIRE

Wednesday, March 13th:
6th Period:
FUNERAL PARLOR
NO AFTER SCHOOL REHEARSAL TODAY

Thursday, March 14th:
6th Period:
Tony is here!
ONE MINUTE PLAY
1-900-DESPERATE
3:05 - 5:00
#502
DESIRE, DESIRE, DESIRE

Friday, March 15th:
6th Period:
FOR WHOM THE SOUTHERN BELLE TOLLS
3:05 - 5:00
FOR WHOM THE SOUTHERN BELLE TOLLS

Friday, March 01, 2013

February 4, 2013 - February 8, 2013 Weekly Rehearsal Schedule for AN EVENING OF DURANG THEATRE

Monday, February 4th:
Tony Torissi will be here
Class will divide, with half of the class going with Tony to #502
Warm-ups
6th Period Rehearsal with:
THE FUNERAL PARLOR
Capri Downs, Eden Calderon,
3:10 - 5:00 Rehearsal with:
DESIRE, DESIRE, DESIRE
Erica Habana, Ray Reyes, Athon George, Capri Downs, Darlene Gonzalez, Sophie Hernandez

Tuesday, February 5th:
Shortened Day
Warm-ups
Theatre Exercises
6th Period Rehearsal with:
1-900-DESPERATE
Darlene Gonzalez, Ray Reyes, Emmilie Curry, Sophie Hernandez, Eden Calderon, Athon George

Wednesday, February 6th:
Warm-ups
Theatre Exercises
6th Period Rehearsal with:
WANDA’S VISIT
Daniel Portillo, Darlene Gonzalez, Taylor Shackelford

Thursday, February 7th:
Tony Torissi will be here
Class will divide, with half of the class going with Tony to #502
Warm-ups
Theatre Exercises
6th Period Rehearsal with:
DESIRE, DESIRE, DESIRE
Erica Habana, Ray Reyes, Athon George, Capri Downs, Darlene Conzalez, Sophie Hernandez, Daniel Portillo, Taylor Shackelford
3:10 - 5:00 Rehearsal
WANDA’S VISIT
Daniel Portillo, Darlene Gonzalez, Taylor Shackelford, Eden Calderon, Athon George, Gevorg Keshisian

Friday, February 8th:
Warm-ups
Theatre Exercises
6th Period Rehearsal with:
PHYLLIS and XENOBIA
Meri Ghazaryan, Helen Karaelian




Thursday, February 21, 2013

February 25, 2013 - March 1, 2013 Rehearsal Schedule

February 25, 2013 - March 1, 2013 Weekly Rehearsal Schedule for Spring Production

Monday, February 25th:
Split class with Tony Torissi
Other half stay with guest teacher for theatre games

Tuesday, February 26th:
Theatre games and improvs

Wednesday, February 27th:
Warm-ups: physical and vocal
Sense Memory
Rehearsal for:
For Whom the Southern Belle Tolls

Thursday, February 28th:
Split class with Tony Torissi
Warm-ups: physical and vocal
Sense Memory
Rehearsal for:
For Whom the Southern Belle Tolls

Friday, February 29th:
Warm-ups: physical and vocal
Sense Memory
Rehearsal for:
1-900-Desperate

Monday, February 18, 2013

A DURANGED EVENING REHEARSAL SCHEDULE February 19, 2013 - February 22, 2013













DURANGED REHEARSAL SCHEDULE
for February 19, 2013 - February 22, 2013

Tuesday, February 19th:
Warm-ups
Pass out scripts
Read through of WANDA'S VISIT
Read through of THE FUNERAL PARLOR

Wednesday, February 20th:
Warm-ups
Read through of PHYLLIS and XENOBIA
Read through of THE ONE MINUE PLAY

Thursday, February 21st:
Tony is here!
Divide the class!
Read through of DESIRE, DESIRE, DESIRE
Read through of FOR WHOM THE SOUTHERN BELLE TOLLS

Friday, February 22nd:
Warm-ups
Theatre Games
Read through of DMV TYRANT
Read through of THE FUNERAL PARLOR

Tuesday, February 12, 2013

CAST LIST for 1-900-DESPERATE

Gretchen: Darlene Gonzalez
Recorded Voice: Rey Reyes
Sally: Emmilie Curry
Zelda: Sophie Hernandez
Little Boy: Kevin Coronado
Scuzzy: Athon George

CAST LIST for FOR WHOM THE SOUTHERN BELLE TOLLS

Amanda: Erica Habana
Lawrence: Kevin Coronado
Tom: Ray Reyes
Ginny: Sophie Hernandez

CAST LIST for DESIRE, DESIRE, DESIRE

Blanche: Erica Habana
Stanley: Ray Reyes
Young Man: Athon George
Maggie One: Capri Downs
Maggie Two: Darlene Gonzalez
Cora: Sophie Hernandez
Big Daddy: Daniel Portillo
Big Mama: Taylor Shackelford
Stella: Noreen Ostrum

CAST LIST for WANDA’S VISIT

Jim: Daniel Portillo
Marsha: Darlene Gonzalez
Wanda: Taylor Shackelford
Waiter: Josue Miranda
Gangsters: Eden Calderon, Athon George

CAST LIST for THE FUNERAL PARLOR

Susan: Capri Downs
Marcus: Eden Calderon
Mourners: Dionne Coleman, Emmilie Curry, Meri Ghazaryan, Helen Karaelian, Gevorg Keshisian, Tajanaye Parker

DMV TYRANT

Customer: Josue Miranda
DMV Lady: Tajanaye Parker
Customer: Gevorg Keshisian

PHYLLIS and XENOBIA

Phyllis: Helen Karaelian
Xenobia: Meri Ghazaryan

ONE MINUTE PLAY

Polly: Dionne Coleman
Dave: Ray Reyes







Monday, February 11, 2013

February 11, 2013 - February 15, 2013 Agenda

February 11, 2013 - February 15, 2013 Agenda for Play Production

Monday, February 11th:
Tony is here today!
Class splits in two
Finish auditions today:
"Wanda's Visit"
"DMV Tyrant"


Tuesday, February 12th:
Post cast list
Warm-ups: Vocal
Physical: Move to music
Theatre Exercises to Build Tribal Unity: "Walking the Grid"

Wednesday, February 13th:
Warm-ups: Vocal
Physical: Move to Music
Theatre Exercises to Build Concentration and Tribal Unity:
"Pass the Clap"
Rehearse: "For Whom the Southern Belle Tolls"

Thursday, February 14th:
Tony is here today!
Class splits in tow
Warm-ups: Vocal
Rehearse: "For Whom the Southern Belle Tolls"

Friday, February 15th:
Vocal Warm-ups
Physical Warm-ups: Move to music
Improvs: Taxi; Four and One
Rehearse: "For Whom the Belle Tolls" 

Monday, February 04, 2013

Monday, February 4, 2012 - Friday, February 8, 2012 Play Production

Monday, February 4th:
Tony Torissi is here
Auditions for 1-900-DESPERATE

Tuesday, February 5th:
Warm-ups
Auditions for FOR WHOM THE SOUTHERN BELLE TOLLS

Wednesday, February 6th:
Warm-ups
Auditions for FOR WHOM THE SOUTHERN BELLE TOLLS

Thursday, February 7th:
Warm-ups
Tony Torissi is here
Auditions for DESIRE, DESIRE, DESIRE

Friday, February 8th:
Warm-ups
Auditions for DESIRE, DESIRE, DESIRE

Monday, January 28, 2013

January 28, 2013 - February 1, 2013 Play Production

Monday, January 28st:
Tony Torissi is here today. Class is split. Half go with Tony and half go with Kate Bridges.
Vocal Exercises
Physical Exercises
"Pass the Clap"
Finish reading Christopher Durang's "Wanda"

Tuesday, January 29th:
Vocal Exercises
"No Questions, please!"
Read "Medea" by Christopher Durang

Wednesday, January 30th:
Vocal Exercises
Physical Warm-ups
Sense Memory
Sandy Meisner: Concentration on a Physical Task

Thursday, January 31st;
Tony is here again!
Split class in two again.
Vocal Exercises
Cold Readings

Friday, February 1st:
Vocal Exercises
Physical Warm-ups
Auditons for For Whom the Southern Bell Tolls" 

Monday, January 21, 2013

January 22, 2013 - January 25, 2013 Play Production Agendas

January 22, 2013 - January 25, 2013
Agenda for Play Production

Tuesday, January 22nd:
Vocal Warm-ups
Emotion Memory
Theatre Games: "Pass the Smile", "Say Yes Circle Game": To Build Tribal Unity


Wednesday, January 23rd:
Vocal Warm-ups
Acting Exercises: Animal Studies; Demonstrations,
Improvisational scenes using animal based characters.
Read: Christopher Durang's "The Actors' Nightmare"

Thursday, January 24th:
Vocal Warm-ups
Theatre Games Courtesy of THE ACTORS' GANG
To Build Focus, Concentration and Tribal Unity:
"Pass the Clap"
"Walk on the Grid"
"Get in Sync"
Acting Exercises:
"Do the Walk": Lead with Your Forehead, Your Nose...."

Friday, January 25th:
Vocal Exercises
Acting Exercises:
"Walking Tall, Walking Small"
"Leading by the Chin"
Read Christopher Durang's "Wanda"

Playlets Under Consideration:

Cutting from BEYOND THERAPY
DESIRE, DESIRE, DESIRE
DMV TYRANT
FUNERAL PARLOR
GLASS MENAGERIE
MEDEA
WANDA
WHERE BABIES COME FROM
1-900-DESPERATE


Sunday, January 13, 2013

January 14, 2013 - January 18, 2013


January 14, 2013 - January 18, 2013 Weekly Agenda for Play Production

Monday, January 14th: 
Theatre Workshop with Tony 

Tuesday, January 15th: 
Read THE MISER

Wednesday, January 16th: 
Read The Miser

Thursday, January 17th: 
Theatre Workshop with Tony

Friday, January 18th: 
Read THE MISER January 14, 2013 - January 18, 2013




Wednesday, January 09, 2013

Second Semester Play Production Contract

January 9, 2017


REVISED SECOND SEMESTER PLAY PRODUCTION CONTRACT

Welcome to Play Production!

The purpose of this class is to produce plays and to learn acting techniques and theatre etiquette. Each semester a play is produced and after the play,  the students then work on acting technique, scenes and monologues.

You will need a light weight notebook for this class in which to put your scripts, your written work, and your work logs. The notebook will be submitted after each production or performance of your scene work.

During the spring semester we will be working on two productions: The first production will be the Black History Month Assembly, an all-school assembly,which will be Friday, February 24th, during sixth period. We will be working on this in January and February during sixth period.  There will be  two to three days of after school rehearsal the week of February 20th. Each student will choose to do one or more of the following assignments: research, writing, directing, choreographing, dancing, music research, singing, stage-managing, stage crew, lights, sound, props, costumes.  You must keep the script and a log in your notebook detailing your responsibilities, your goals, and what you accomplished, plus the hours, and days that you worked on the show.  After the assembly, you will turn in your notebook with your worklogs and your typed reflection on your work.  If  you do not participate in the assembly your grade will be significantly lowered. 

In March and April, we will be casting and rehearsing the small Spring production.  The performance dates are: Thursday and Friday, April 20th and April 21st from 4 - 6 p.m.  There will be two to three days of after school rehearsals during the week of April 17th. Each student will be either performing, directing, stage managing, or doing stage crew, lights, sound, props,  costumes, and/or publicity. Again, you must keep the script and a log in your notebook detailing your responsibilities, your goals, and what you accomplished, plus the hours, and days that you worked on the show.  After the production, you will turn in your notebook with your worklogs and your typed reflection on your work.  If  you do not participate in the spring production your grade will be significantly lowered. 

The student may salvage his or her grade by writing a ten page research paper in MLA format on some aspect of theatre which will be submitted to turnitin.com.  The student will have to write one research paper for each show the student chooses not to work on.  However, it will be difficult to earn an "A" in the production class without working on the shows. 

You will receive extra credit for performing in the dance show and the musical.

Much of the director’s decisions regarding the amount of rehearsal needed will be dependent upon the actors’ behavior. It is imperative that the actors arrive on time, with scripts, pencils, and props, ready to work.  Failure to do so will definitely result in more rehearsal time for the cast and possible removal from the show and a fail in the class.  In order for the production of the show to be as easy and enjoyable as possible, the following rules should be followed:
   
    Attend every rehearsal and performance
    Arrive on time
    Have script, pencil, and props with you
    Be ready to work - leave outside drama and baggage outside!
    No talking or fooling around during rehearsal
    No cell phones on stage or during rehearsal
    If there is a problem with another actor please see the director
    Do not give direction to another actor
    Always show respect to the cast, the crew, and the director
    Stay until the director dismisses you

Failure to follow these rules or to follow through on performances may result in your dismissal from the play and/or receiving an “F” in this class.

After the show, Play Production will become an acting class, with students working together on scripts as actors and directors.  We may try to schedule a showcase during May where the actors, directors (and those of you who wish to try your hand at writing) present your work during 6th period to other classes.

I hope this is a fun, challenging and enjoyable class for you, and I look forward to working with you.

Sincerely,

Kate Bridges
jkatbridge@aol.com

I have read the above and understand the requirements of the class:

Student:___________________________________________________________


Parent:____________________________________________________________