Monday, September 22nd:
6th Period:
Work on the second act of The Arabian Tales
Act 2: pages 75 - 92; Sympathy the Learned
3:20 - 5:00 Auditorium
Break into groups and work on scenes: improvs
Tuesday, September 23rd:
Regular Day
6th Period:
Work on the second act of The Arabian Tales
Act 2: pages 92 - 99; The Mock Khalifah
3:20 - 5:00 Auditorium
Break into groups and work on scenes: improvs
Wednesday, September 24th:
6th Period:
Work on the second act of The Arabian Tales
Act 2; pages 99 - 108; Aziz and Aziza
3:20 - 5:00: Auditorium
Break into groups and work on scenes: improvs
Thursday, September 25th:
No school
Friday, September 26th:
6th Period:
Work on the second act of The Arabian Tales
Act 2; The Tortoise; pages 110 - 112; Ishak of Mosul, The Forgotten Melody; pages 122 – 131
3:20 - 5:00: Auditorium
Run through of The Arabian Tales
Saturday, September 20, 2014
Saturday, September 13, 2014
September 15, 2014 - September 19, 2014 Weekly Agenda for THE ARABIAN NIGHTS
Monday, September 15th:
Sixth Period:
Review pages 49 - 53, "The Dream"
3:15 - 5:00:
Review pages 49 - 53, "The Dream"
3:15 - 5:00:
Push through to pages 53 - 64 "The Contest of Generosity"
Tuesday, September 16th:
Shortened day. No rehearsal after school
Review pages 53 - 64 "The Contest of Generosity"
Wednesday, September 17th:
Sixth Period:
Push through to pages 64 - 68; "The Wonderful Bag"
3:15 - 5:00:
Push through to pages 69 - 74
3:15 - 5:00:
Push through to pages 69 - 74
Thursday, September 18th:
Sixth Period:
Review the First Act
3:15 - 5:00:
Continue reviewing the First Act
Friday, September 19th:
Sixth Period:
Act 2; pages 75 - 91; "Sympathy the Learned"
3:15 - 5:00:
Review pages 75 - 91
Wednesday, September 10, 2014
September 8, 2014 - September 12, 2014 Weekly Agenda
Monday, September 8th:
Announced cast list and went over the syllabus
Reviewed pages 1 - 12
Worked through pages 12 - 24
Tuesday, September 9th:
No rehearsal after school
Reviewed pages 12 - 24
Wednesday, September 10th:
Period 6:
Work through pages 16 - 36 "Perfect Love"
After school:
Continue working on "Perfect Love"
Thursday, September 11th:
Period 6:
Review pages 16 - 36 "Perfect Love"
After school:
Work on pages 37 - 49 "The Jester's Wife and the Pastry Cook, the Butcher and the...."
Friday, September 12th:
Period 6
Review pages 37 - 49
Announced cast list and went over the syllabus
Reviewed pages 1 - 12
Worked through pages 12 - 24
Tuesday, September 9th:
No rehearsal after school
Reviewed pages 12 - 24
Wednesday, September 10th:
Period 6:
Work through pages 16 - 36 "Perfect Love"
After school:
Continue working on "Perfect Love"
Thursday, September 11th:
Period 6:
Review pages 16 - 36 "Perfect Love"
After school:
Work on pages 37 - 49 "The Jester's Wife and the Pastry Cook, the Butcher and the...."
Friday, September 12th:
Period 6
Review pages 37 - 49
Sunday, August 31, 2014
September 2, 2014 - September 5, 2014 Weekly Agenda for Play Production
Tuesday, September 2nd:
Warm-ups
Read the last few scenes in THE ARABIAN NIGHTS
Act out "Perfect Love"
Wednesday, September 3rd:
Warm-ups
Continue reading THE ARABIAN NIGHTS
Act out "Perfect Love"
Act out "The Pastry Cook-The Clarinetist-The Green Grocer-The Butcher"
3:20 - 5:00: Callbacks
Thursday, September 4th:
Post the Cast List
Warm-ups
Act out "Sympathy and the Learned"
Act out "The Unfortunate Noise"
Friday, September 5th:
Warm-ups
Act out "Harun Al-Rashid and the Pretender"
Sunday, August 24, 2014
August 25, 2014 - August 28, 2014 Agenda for Play Production
Monday, August 25th:Vocal Warm-ups
Theatre Games
Read THE ARABIAN NIGHTS
Tuesday, August 26th:
Shortened day
Vocal Warm-ups
Theatre Games
Read THE ARABIAN NIGHTS
Wednesday, August 27th:
Vocal Warm-ups
Theatre Games
Read The ARABIAN NIGHTS
Thursday, August 28th:
Vocal Warm-ups
Theatre Games
Read THE ARABIAN NIGHTS
Monday, August 18, 2014
August 18, 2014 - August 22, 2014 Agenda for Play Production
Monday, August 18th:
Go over contract for Mary Zimmerman's ARABIAN NIGHTS
Go over Spotlight application; worth 100 points in class
Spotlight application must be filed by Friday, August 22nd.
Begin reading ARABIAN TALES
Tuesday, August 19th:
Continue reading ARABIAN TALES
Wednesday, August 20th:
Continue reading ARABIAN TALES
Thursday, August 21st:
Continue reading ARABIAN TALES
Friday, August 22nd:
Continue reading ARABIAN TALES
Sunday, August 17, 2014
Contract for THE ARABIAN NIGHTS
Contract for THE ARABIAN NIGHTS by Mary Zimmerman
THE ARABIAN NIGHTS by Mary Zimmerman is a retelling of the lesser known stories of
THE THOUSAND and ONE ARABIAN NIGHTS. The play is an ensemble piece in which every actor will play multiple parts - including camels, roads, wind, etc. - they will play musical instruments, dance, create sound effects, do choral work, and stay on stage for the duration of the show - it’s going to be a blast! We are not looking for trained dancers or singers but rather people who can dance and sing to the drumming of life. We need people who are filled with the joy and exuberance of life and love, and can focus that positive (and disciplined) energy on stage. You will be an integral part of the staging process, and will help create the characters and the stage movements through improvisation. Courage, creativity and imagination are traits that will be in high demand during the rehearsal/creative process of THE ARABIAN NIGHTS.
Auditions will be held during sixth period and after school on Monday, August 25th, Wednesday, August 27th, and Thursday, August 28th. The cast list will be posted on Tuesday, September 2nd, and rehearsals will start on Wednesday, September 3rd, and run from 6th period through 5:00 p.m. Monday through Friday, except for shortened Tuesdays. You do not have to be in 6th period to be in the show, but we would prefer that you are.
Starting in November, selected actors will stay until 6 p.m. As we get closer to opening, which I hope will be sometime early December, everyone will begin staying late - from 7 p.m., to 8 p.m. and finally, the last week before we open, until 9:00 p.m. There will be Saturday rehearsals starting in November, and two or three days of rehearsal during the Thanksgiving break.
The fall play has a show at seven p.m. on Thursday, seven p.m. on Friday, seven p.m. on Saturday and a matinee at 2 p.m. on Sunday. You will be expected to hang up your costumes and put your props away before leaving after each performance.
You must be courteous and professional at all times. This means that you must be punctual to every rehearsal, and that you must stay until you are dismissed, and at the beginning of each rehearsal you must participate in the theatre exercises and the warm-ups for they are integral to the actor’s craft and in the development of this production. It also means that you arrive at rehearsal ready to work with your script and a pencil, with your lines and blocking memorized. Cell phones and ipods are strictly prohibited on stage! And at all times it is understood that you must behave in a mature, courteous manner to everyone; when the director and actors are working, the other actors are to be quiet and positive. No loud talking, no off-topic conversations, and no loud, boisterous playing around when the director is not working with you. Keep outside baggage outside - there is no space in theatre for personal drama.
Finally, it is imperative that you keep at least a 2.0 average in your classes. Failure to do so may result in your immediate dismissal from the show. Now, let’s get to work, have fun and create some magic!
I have read this and agree to comply with the conditions of working on the show.
Actor:_________________________________________
Parent:________________________________________
Parent:________________________________________
Sunday, May 11, 2014
May 12, 2014 - May 16, 2014 Weekly Agenda for Play Production
Break into your groups
This week I will be holding conferences with your group regarding the direction of your research.
Tuesday, May 6th:
This week each group will do the following each day:
Break into your group to begin research on your acting teacher or theatre philosophy
Two members of your group will do biography or history
Two members of your group will do acting theories of the teacher or the theatre philosophy
Two members of your group will find two examples of acting exercises of the teacher or conventions of the theatre philosophy
One member of your group will find a representative scene
Each pair in your group will share your research with the other members of your group
Wednesday, May 7th:
At the end of the period each member of the group should have two pieces of evidence to share with the other members.
After sharing each member will turn in the evidence for a grade.
Thursday, May 8th:
At the end of the period, each member of the group should have two pieces of evidence to share with the other members.
After sharing, each member will turn in the evidence for a grade.
Friday, May 9th:
At the end of the period, each member of the group should have two pieces of evidence to share with the other members.
After sharing, each member will turn in the evidence for a grade.
Monday, May 05, 2014
May 5, 2014 - May 9, 2014 Agenda for Play Production
Monday, May 5th:
Break into your groups
This week I will be holding conferences with your group regarding the direction of your research.
Tuesday, May 6th:
This week each group will do the following each day:
Break into your group to begin research on your acting teacher or theatre philosophy
Two members of your group will do biography or history
Two members of your group will do acting theories of the teacher or the theatre philosophy
Two members of your group will find two examples of acting exercises of the teacher or conventions of the theatre philosophy
One member of your group will find a representative scene
Each pair in your group will share your research with the other members of your group
Wednesday, May 7th:
At the end of the period each member of the group should have two pieces of evidence to share with the other members.
After sharing each member will turn in the evidence for a grade.
Thursday, May 8th:
At the end of the period, each member of the group should have two pieces of evidence to share with the other members.
After sharing, each member will turn in the evidence for a grade.
Friday, May 9th:
At the end of the period, each member of the group should have two pieces of evidence to share with the other members.
After sharing, each member will turn in the evidence for a grade.
Friday, April 25, 2014
April 28, 2014 - May 2, 2014 Weekly Agenda for Play Production
Monday, April 28th:
Special schedule. No 7th period today
Tuesday, April 29th:
Go to library
Pair up
Continue reading from your packets, books, or online resources
Three more note cards due at the end of the period
Wednesday, April 30th:
Special schedule. No 7th period today.
Thursday, May 1st:
Go to library
Pair up
Continue reading from your packets, books, or online resources
Three more note cards due at the end of the period
Friday, May 2nd:
Go to library
Teacher/Student conferences on note cards
Discussion:
What did they learn?
What do they still need to learn?
Direction to go in
Wednesday, April 23, 2014
April 21, 2014 - April 25, 2014 Agenda for Play Production
Monday, April 21st:
The Library today
Pass out the instructions for the research project on Acting Styles and Theatre Philosophies.
Allow students to pair up with teacher approval
Allow students to choose topic with teacher approval
At end of period students should have a partner and a topic.
Tuesday, April 22nd:
Special schedule. No 7th Period today.
Wednesday, April 23rd:
Library
Omar and Christian are rehearsing for their scene tomorrow for Thursday Theatre.
Objective for the Day:
Each student has:
A partner
A topic
3 bibliographic sources
One note card with commentary
Pairs:
Jayna and Jolene: Uta Hagen
Joana and Edelmira: Stella Adler
Jenifer and Daniel: Michael Chekhov
Annie and Morat: Lee Strasberg
Pamela, Josue, Omar: Bertolt Brecht
Anton: Sanford Meisner
Emmilie and Emily:
Thursday, April 24th:
Special schedule. No 7th Period today.
Friday, April 25th:
Library
Each student has three note cards with commentary at the end of the period.
Tuesday, April 15, 2014
April 7, 2014 - April 11, 2014 Play Production Weekly Agenda
Monday, April 7th:
Run-through of scenes:
Jolene: "Tough Cookies"
Jayna and Emily A.: Uncommon Women
Pamela and Morat: The Wool Gatherer
Christian and Omar: Lone Star
Tuesday, April 8th:
Run-through of scenes:
Omar and Christian: Lone Star
Edelmira and Jenifer: The Children's Hour
Jolene, Anton, Annie: Runaways
Joana and Emmilie: Agnes of God
Wednesday, April 9th:
Not here; pulled out of class for WASC English Meeting
After school performance:
3:30 to 4:30
Jolene: Tough Cookies
Jayna and Emily: Uncommon Women
Pamela and Morat: The Wool Gatherer
Edelmira and Jenifer: The Children's Hour
Jolene, Annie, and Anton: Runaways
Joana and Emmilie: Agnes of God
Josuse and Daniel: True West
Christian was absent today; therefore, Lone Star did not perform. Christian and Omar must perform their scenes for "Thursday Theatre" when we come back from spring break.
Thursday, April 10th:
Went over self reflection on scenes
Friday, April 11th:
Library: type up self reflections and turn in
Run-through of scenes:
Jolene: "Tough Cookies"
Jayna and Emily A.: Uncommon Women
Pamela and Morat: The Wool Gatherer
Christian and Omar: Lone Star
Tuesday, April 8th:
Run-through of scenes:
Omar and Christian: Lone Star
Edelmira and Jenifer: The Children's Hour
Jolene, Anton, Annie: Runaways
Joana and Emmilie: Agnes of God
Wednesday, April 9th:
Not here; pulled out of class for WASC English Meeting
After school performance:
3:30 to 4:30
Jolene: Tough Cookies
Jayna and Emily: Uncommon Women
Pamela and Morat: The Wool Gatherer
Edelmira and Jenifer: The Children's HourJolene, Annie, and Anton: Runaways
Joana and Emmilie: Agnes of God
Josuse and Daniel: True West
Christian was absent today; therefore, Lone Star did not perform. Christian and Omar must perform their scenes for "Thursday Theatre" when we come back from spring break.Thursday, April 10th:
Went over self reflection on scenes
Friday, April 11th:
Library: type up self reflections and turn in
Monday, March 31, 2014
April 1, 2014 - April 4, 2014 Agenda for Play Production
Tuesday, April 1st:
No seventh period today
Wednesday, April 2nd:
Work with:
TRUE WEST
Daniel and Josue
THE WOOL GATHERER
Pamela and Morat
EVERYONE: Begin compiling the music, props, costumes for the show on April 9th.
Thursday, April 3rd:
Fast rehearsal speed through

Work on music, props, costumes and flyer for the show on April 9th.
Friday, April 4th:
Fast rehearsal speed through
Work on music, props, costumes and flyer for the show on April 9th.
Sunday, March 23, 2014
March 24, 2014 - March 28, 2014 Agenda for Play Production

Warm-ups
Presentation of scenes for preview
Tuesday, March 25th:
Presentation of scenes for preview
Wednesday, March 26th:
Presentation of scenes for preview
Thursday, March 27th:
Tony Torissi will work on selected scenes
I will work on selected scenes as needed
Theatre games
Friday, March 28th:
I will work on selected scenes as needed
Theatre games
Monday, March 17, 2014
March 17, 2014 - March 21, 2014 Agenda for Play Production
Monday, March 17th:
Work on "Inciting Moment" with:
LONE STAR
Christian
Omar
Edilmira
Tuesday, March 18th:
Work on "Inciting Moment" with:
UNCOMMON WOMEN
Jayna
Emily
Performance:
"Inciting Moment"
LONE STAR
Christian
Omar Edilmira
Wednesday, March 19th:
Work on "Inciting Moment" with:
THE WOOL GATHERER
Morat
Pamela
Performance:
UNCOMMON WOMEN
Jayna
Emily
THE WOOL GATHERER
Morat
Pamela
Thursday, March 20th:
Tony Torissi is here today.
Rehearse with THE CHILDREN'S HOUR
Friday, March 21st:
Rehearse with UNCOMMON WOMEN
Tuesday, March 11, 2014
March 10, 2014 - March 14, 2014 Agenda for Play Production
Monday, March 10th:
Work on "The Inciting Moment"
Emmilie and Joana in AGNES of GOD
Performance:
"The Inciting Moment"
THE CHILDREN'S HOUR
Jenifer and Morat
Tuesday, March 11th:
Performance:
"The Inciting Moment"
AGNES of GOD
Emmilie's inciting moment with Joana
Joana's inciting moment with Emmilie
Performance:
"The Inciting Moment"
"Runaways"
Annie with Anton and Edilmira
Wednesday, March 12th:
Work on "The Inciting Moment"
LONE STAR
Christian and Omar
Work on "The Inciting Moment"
UNCOMMON WOMEN
Jayna and Emily
Thursday, March 13th:
Tony Torissi is here today. He will work with selected scenes
Work on "The Inciting Moment"
LONE STAR
Christian and Omar
Work on "The Inciting Moment"
"The Wool Gatherers"
Pamela and Morat
Friday, March 14th:
Performances:
"The Inciting Moment"
LONE STAR
Christian and Omar
UNCOMMON WOMEN
Jayna and Emilay
Work on "The Inciting Moment"
Emmilie and Joana in AGNES of GOD
Performance:
"The Inciting Moment"
THE CHILDREN'S HOUR
Jenifer and Morat
Tuesday, March 11th:
Performance:
"The Inciting Moment"
AGNES of GOD
Emmilie's inciting moment with Joana
Joana's inciting moment with Emmilie
Performance:
"The Inciting Moment"
"Runaways"
Annie with Anton and Edilmira
Wednesday, March 12th:
Work on "The Inciting Moment"
LONE STAR
Christian and Omar
Work on "The Inciting Moment"
UNCOMMON WOMEN
Jayna and Emily
Thursday, March 13th:
Tony Torissi is here today. He will work with selected scenes
Work on "The Inciting Moment"
LONE STAR
Christian and Omar
Work on "The Inciting Moment"
"The Wool Gatherers"
Pamela and Morat
Friday, March 14th:
Performances:
"The Inciting Moment"
LONE STAR
Christian and Omar
UNCOMMON WOMEN
Jayna and Emilay
Sunday, March 02, 2014
March 3, 2014 - March 7, 2014 Agenda for Play Production
Monday, March 3rd:
Work with:
THE CHILDREN'S HOUR
Edilmira
Jenifer

Tuesday, March 4th:
Shortened day
No 6th Period today
Wednesday, March 5th:
Work on the "Inciting Moment" with the following scenes:
AGNES of GOD
LONE STAR
Watch the "Inciting Moment" Scenes:
TRUE WEST
THE CHILDREN'S HOUR
Thursday, March 6th:
Tony Torissi will be here today to work on selected scenes
Work with:
TOUGH COOKIES
Work on the "Inciting Moment" with the following scene:
"Run Aways"
Friday, March 7th:
Work on the "Inciting Moment" with the following scenes:
TOUGH COOKIES
THE WOOL GATHERERS
Work with:
THE CHILDREN'S HOUR
Edilmira
Jenifer

Tuesday, March 4th:
Shortened day
No 6th Period today
Wednesday, March 5th:
Work on the "Inciting Moment" with the following scenes:
AGNES of GOD
LONE STAR
Watch the "Inciting Moment" Scenes:TRUE WEST
THE CHILDREN'S HOUR
Thursday, March 6th:
Tony Torissi will be here today to work on selected scenes
Work with:
TOUGH COOKIES
Work on the "Inciting Moment" with the following scene:
"Run Aways"
Friday, March 7th:
Work on the "Inciting Moment" with the following scenes:
TOUGH COOKIES
THE WOOL GATHERERS
Tuesday, February 25, 2014
February 24, 2014 Play Production Agenda
FEBRUARY 24, 2014 - FEBRUARY 28, 2014
AGENDA for PLAY PRODUCTION
Monday, February 24th:
Break into groups and rehearse
Tuesday, February 25th:
Work with Joanna and Emmilie on the "Inciting Moment" for AGNES of GOD
Wednesday, February 26th:
Work with Josue and Daniel on the "Inciting Moment" for TRUE WEST
Thursday, February 27th:
Work with Christian and Omar on the "Inciting Moment" for LONE STAR
TONY TORISSI will be here today.
Friday, February 28th:
Watch the "Inciting Moment" for AGNES of GOD, TRUE WEST, LONE STAR
Sunday, February 16, 2014
February 17, 2014 - February 21, 2014 Play Production Class
Monday, February 17th:
No school today
Tuesday, February 18th:
Block schedule today
No 7th Period
Wednesday, February 19th:
Rehearse scenes
Begin work on "The Inciting Moment"
Thursday, February 20th:
Tony Torissi here today
Theatre games!
Friday, February 21st:
Theatre games!
No school today
Tuesday, February 18th:
Block schedule today
No 7th Period
Wednesday, February 19th:
Rehearse scenes
Begin work on "The Inciting Moment"
Thursday, February 20th:
Tony Torissi here today
Theatre games!
Friday, February 21st:
Theatre games!
Sunday, February 09, 2014
February 10, 2014 - February 14, 2014 Play Production Agenda
Monday, February 10th:
Break into scenes: run scene twice
Work with THE CHILDREN'S HOUR
Begin working on "The Inciting Moment"
Tuesday, February 11th:
Break into scenes: run scene twice
Work with UNCOMMON WOMEN
Continue working on "The Inciting Moment"
Wednesday, February 12th:
Break into scenes: run scenes twice
Work with Jolene
Continue working on "The Inciting Moment"
Thursday, February 13th:
Tony is here; he will work with selected scenes
Break into scenes: run scenes twice
Work with AGNES of GOD
Continue working on "The Inciting Moment"
Friday, February 14th:
Field Trip
Stay in #503 and work on scenes
Break into scenes: run scene twice
Work with THE CHILDREN'S HOUR
Begin working on "The Inciting Moment"
Tuesday, February 11th:
Break into scenes: run scene twice
Work with UNCOMMON WOMEN
Continue working on "The Inciting Moment"
Wednesday, February 12th:
Break into scenes: run scenes twice
Work with Jolene
Continue working on "The Inciting Moment"
Thursday, February 13th:
Tony is here; he will work with selected scenes
Break into scenes: run scenes twice
Work with AGNES of GOD
Continue working on "The Inciting Moment"
Friday, February 14th:
Field Trip
Stay in #503 and work on scenes
Sunday, February 02, 2014
February 3, 2014 - February 7, 2014 Agenda for Play Production
Monday, February 3rd:
Meisner Exercise with Anton and Annie
Work with TRUE WEST:
Daniel
Josue
Assign the Inciting Moment Exercise
Tuesday, February 4th:
No class today
Wednesday, February 5th:
Rehearse with JIMMY SHINE:
Pamela
Cody
Work on the Inciting Moment Exercise
Thursday, February 6th:
Tony Torissi is here
Rehearse with THE CHILDREN'S HOUR:
Edilmira and Jennifer
Work on the Inciting Moment Exercise
Friday, February 7th:
Work on the Inciting Moment Exercise
Rehearse with LONE STAR:
Omar
Christian
Sunday, January 26, 2014
January 27, 2014 - January 31, 2014 Agenda for Play Production
Monday, January 27th:
THE CHILDREN'S HOUR
Edilmira
Jennifer
UNCOMMON WOMEN
Jayna
Emily
Tuesday, January 28th:
Review:
AGNES of GOD
Emmily
Joanna
Joanna
LONE STAR
Christian
Wednesday, January 29th:
Work with:
THE WOOLGATHERER
Anna
Marat
Thursday, January 30th:
Work with:
JIMMY SHINE
Cody
Pamela
Friday, January 31st:
Work with:
Joshue
Daniel
Wednesday, January 22, 2014
January 21, 2014 - January 24, 2014 Agenda
Tuesday, January 21st:
Rehearse scenes!
Work with UNCOMMON WOMEN: Jayna and Emily
Wednesday, January 22nd:
Rehearse scenes!
Work with UNCOMMON WOMEN: Jayna and Emily
Thursday, January 23rd:
Tony Torissi will be here today to work on some selected scenes.
Rehearse scenes!
Work with THE CHILDREN'S HOUR: Edilmire and Jennifer
LONE STAR: Christian and Omar
Friday, January 24th:
Rehearse scenes!
Work with JIMMY SHINE: Cody and Pamela
TRUE WEST: Daniel and Josue
Syllabus for Spring Play Production 2016
Welcome to Play Production, the purpose of which is to introduce you to the world of theatre, and to produce plays. I hope Play Production will be fun, educational and exciting for you. In this class you will be introduced to the art and craft of acting, where you will learn about character development, script analysis, theatrical terms and conventions. You will also learn about proper theatre protocol in terms of working with other actors and with the director, and appropriate behavior both as an actor, a theatre technician, and as an audience member.
We will work on your character’s relationships with the other characters; the character's objectives or motivations. We will use acting exercises such as the "Inciting Event", where you will create a scene which occurs before the play which sets up your character's situation. Other acting exercises will be the "Entrance Exercise" which is where you enter the room as the character, bringing in with you the character's experiences from the past day. The "Exit Exercise" is where you exit the room as the character, going into another space, going towards another objective, or destination. We will also borrow from the great acting masters, such as Sanford Meisner, Stella Adler, Uta Hagen, and of course, Constantin Stanislavski.
The class will start with some vocal, relaxation and/or acting exercises and some theatre games. Then I will work with one or two groups per class session on blocking, script analysis and character development. For each scene you do, you will create the "inciting event", the "entrance exercise" and the "exit exercise". After two or three rehearsals with me, you will then perform the scene (WHICH MUST BE MEMORIZED!) before the class, which will be taped. You will watch the tape and write a reflection on your work, following a format which will be provided for you.
During the final performance of the scene, you must have the scene memorized exactly the way it is written, you must perform the blocking and the direction as we rehearsed, and you must use props.
You are expected to keep a three-pronged light weight folder in which you are expected to keep all handouts, including this, and your scripts. You will be given a copy of your script and you are expected to BRING IT EVERY DAY! If you do not, you will receive an "F" for that day; you will be loaned a copy of your script in exchange for some collateral property (cell phone, shoe, backpack). When you return the borrowed script, your property will be returned to you. If you lose your script, then you will have to copy the script out by hand. Copies are at a premium and there is a very small quota per month to make copies.
You are expected to work on at least one of the following:
On the spring musical, HAIR SPRAY, either as a performer or as a technician, such as a member of the floor crew, light crew, prop crew or costume crew, or as the light or sound operator.
Or on the spring production of ALMOST, MAINE, which is a series of eight plays slated for performance on Thursday and Friday, April 7th and 8th in 503.
Or work on scenes in the class which you will perform in Thursday Theatre. You must perform at least two scenes this semester in Thursday Theatre. The first performance must be before March 25th, and the second performance must be before May 13th.
You are also expected to either attend the Magnet performances of ALMOST MAINE, HAIRSPRAY, and the dance show, or to tech or usher the performances.
On the spring musical, HAIR SPRAY, either as a performer or as a technician, such as a member of the floor crew, light crew, prop crew or costume crew, or as the light or sound operator.
Or on the spring production of ALMOST, MAINE, which is a series of eight plays slated for performance on Thursday and Friday, April 7th and 8th in 503.
Or work on scenes in the class which you will perform in Thursday Theatre. You must perform at least two scenes this semester in Thursday Theatre. The first performance must be before March 25th, and the second performance must be before May 13th.
You are also expected to either attend the Magnet performances of ALMOST MAINE, HAIRSPRAY, and the dance show, or to tech or usher the performances.
There is NO EATING NOR DRINKING FROM CANS in class. We have had in the past a major infestation of rats and cockroaches from food left behind and sticky residue from spilled soft drinks. The custodial staff has been drastically cut and Room 503 is never swept, mopped nor cleaned, except when your teacher does it. And it's a big room.
You will be graded on your participation. You are expected to show up on time, ready to participate in all the acting and vocal exercises and theatre games at the beginning of the class, and in all of the assignments and rehearsals of the scenes. When you are not rehearsing with me, then you must be in your assigned areas rehearsing with your fellow actors. When you perform your scenes you must have your lines and blocking memorized and perform the scene to the best of your ability. Failure to do so will result in a much lower grade and perhaps failing the class.
The class will only be as good as we all make it. Please be aware that you are working with other people and that your behavior and effort will affect them, their work and their grade. Furthermore, it is imperative that we create an atmosphere of respect - respect for our fellow students, respect for the director, and respect for ourselves. Please show respect by refraining from rude comments or actions, or talking or texting during class. Please do not text during other students' scenes. Please remember that it is ILLEGAL and against district policy to record another student during school. Students can only do their best work when they feel safe and valued, so please give positive support during students' performances.
The grading scale is as follows:
90% - 100% = A
80% - 89% = B
70% - 79% = C
60% - 69% = D
Below 60% = Fail
Participation: 30%
Scene Work: 40%
Group Work: 30%
I look forward to working with you and helping you grow as a young adult, a student and as an artist.
__________________________________________________________
Student:
I have read and I understand the requirements of the class:
__________________________________________________________
Parent or Guardian:
I have read and I understand the requirements of the class:
________________________________________________________________________________
Tuesday, January 21, 2014
January 21, 2014 - January 24, 2014 Play Production
Tuesday, January 21st:
Rehearse scenes
Work with:
Emily and Jayna on UNCOMMON WOMEN
Wednesday, January 22nd:
Rehearse scenes
Work with:
Emily and Jayne on UNCOMMON WOMEN
Joanna and Emmily on AGNES of GOD
Thursday, January 23rd:
Tony Torissi will be here
Rehearse scenes
Work with:
Edilmira and Jennifer on THE CHILDREN'S HOUR
Friday, January 24th:
Rehearse scenes
Work with:
Josue and Daniel on TRUE WEST
Rehearse scenes
Work with:
Emily and Jayna on UNCOMMON WOMEN
Wednesday, January 22nd:
Rehearse scenes
Work with:
Emily and Jayne on UNCOMMON WOMEN
Joanna and Emmily on AGNES of GOD
Thursday, January 23rd:
Tony Torissi will be here
Rehearse scenes
Work with:
Edilmira and Jennifer on THE CHILDREN'S HOUR
Friday, January 24th:
Rehearse scenes
Work with:
Josue and Daniel on TRUE WEST
Thursday, January 16, 2014
January 13, 2014 - January 17, 2014 Weekly Agenda for Play Production
Check in. Welcome!
Tuesday, January 14th:
No class
Wednesday, January 15th:
Prepare scenes
Thursday, January 16th:
Tony Torissi here today. He worked with Pamela and Cody.
I work with Jayna and Emily on UNCOMMON WOMEN
Friday, January 17th:
Break into groups to rehearse.
Rehearse with Jayna and Emily on UNCOMMON WOMEN
Tuesday, January 07, 2014
2014 Spring Agenda for Play Production
January 13 - 17:
Work with scenes
Block
Motivation
Focus
In the Moment
Relationship
January 20 - 24:
Most Pivotal Moment
Continue Rehearsing Scenes
January 27 - 31:
Most Pivotal Moment
Continue Rehearsing Scenes
February 3 - 7:
Perform scenes
February 10 - 14:
Choose scenes for Class Presentations
Work with scenes
Block
Motivation
Focus
In the Moment
Relationship
February 17 - 21:
Most Pivotal Moment
Continue Rehearsing Scenes
February 24 - 28:
The Entrance Exercise
Continue Rehearsing Scenes
March 3 - 7:
The Exit ExercisePerformances:
Thursday, March 6th @ 3:30
Friday, March 7th @ 3:30 and 7:00
March 10 - 14:
Choose new scenesBlock
Motivation
Focus
In the Moment
Relationship
March 17 - 21:
Most Pivotal Moment
Continue rehearsing scenes
March 24 - 28th:
Most Pivotal Moment
Continue rehearsing scenes
March 31 - April 4th:
The Entrance Exercise
Continue rehearsing scenes
April 7 - 11:
The Exit Exercise
Performance of Scenes
April 14 - 18th:
Spring Break
April 21 - 25:
Begin rehearsing with the cast of SPRING AWAKENING
April 28 - May 3:
Rehearse SPRING AWAKENING
May 5 - 10:
Rehearsal and performance of SPRING AWAKENING
May 11 - 18:
Rehearsal and performance of SPRING AWAKENING
May 19 - 23:
Clean up: costumes, props, lights, sets; clean up stage, backstage and dressing rooms
May 26 - 30:
Theatre games, improvs
May 28th: Last day for Seniors
June 2 - 6:
Finals
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