Friday, December 04, 2009










Monday, December 7th:

Meet with directors, actors and crews today to discuss:
rehearsal schedule
set designs
costumes
prop list
publicity

Directors will begin read through of their scenes

Tuesday, December 8th:

Directors will begin rehearsing

Wednesday, December 9th:

Rehearse

Work with set designers
Work with props

Thursday, December 10th:

Rehearse

Work with costumers

Friday, December 11th:

Rehearse

Work with publicity crew

Saturday, November 28, 2009



















Monday, November 30th:
Begin auditioning!
The directors will pass out sides to the actors.
The actors will pair up and rehearse outside.
Marlene and Julio will act as stage managers who will call the actors into 503 to audition for all the directors at the same time.


Tuesday, December 1st:
Shortened day!
Continue auditioning!


Wednesday, December 2nd:
Last day of auditioning!


Thursday, December 3rd:
Producer and directors conferences


Friday, December 4th:
Casting Announcements. Begin rehearsing! Woohoo!

Sunday, November 01, 2009










BLOOD WEDDING
REHEARSAL AND PERFORMANCE SCHEDULE
FOR THE WEEK OF NOVEMBER 1ST - 8TH

Monday, November 2nd:
2nd Period:
Work with Leonardo and the Bride
6th Period:
Work with women on Cathedral Scene
Ms. Goldschein will work with selected dancers
3:30 - 4:00 p.m.
Work with the Wife, the Mother-in-Law, Leonardo and Albert on sound for Act 1; Sc. 2
Ms. Goldschein will work with selected dancers
4:00 p.m. - 8:00 p.m.:
Run - through with props, costumes. lights and sound
8:00 p.m. - 9:30 p.m.:
Work on selected scenes

Tuesday, November 3rd:
Not a shortened day!
2nd Period:
Work with Leonardo and the Bride
6th Period - 3:45 p.m.:
Work with women in Cathedral Scene
Work with the Mother, the Bridegroom and Neighbor
Ms. Goldschein will work with selected dancers
4:00 p.m. - 8:00 p.m.:
Run-through with props, costumes, lights and sound
8:00 p.m. - 9:30 p.m.:
Work on selected scenes

Wednesday, November 4th:
2nd Period:
Work with Leonardo and the Bride
6th Period - 3:45 p.m.:
Work on Act 2 Wedding vignettes
Ms. Goldschein will work with selected dancers
4:00 p.m. - 8:00 p.m.:
Run-through with props, costumes. lights and sound
8:00 p.m. - 9:30 p.m.:
Work on selected scenes





Thursday, November 5th:
3rd Period:
Assemble in auditorium
Notes, make-up, costumes, brush-ups
5th Period:
Invitational Assembly
Acts 1 and 2
6th Period:
Invitational Assembly
Acts 1 and 2
3:30 - 4:00 p.m.:
Walk-through of Act 3
5:30 p.m. Call time
7:00 p.m. Performance
After performance clean-up
10:00 dismissal

Friday, November 6th:
6th Period:
Notes and run lines
3:15 - 5:00: Free time!
Eat, nap and rest
5:00 p.m. Call time
7:00 p.m.Performance
After Performance clean-up
10:00: Dismissal

Saturday, November 7th:
5:00 p.m. Call Time
7:00 p.m.Performance
After performance clean-up
10:00 dismissal

Sunday, November 8th:
12:00 p.m. Call Time
2:00 p.m. Performance
After performance clean-up
5:00 p.m. dismissal

Monday, October 26, 2009










October 26th Weekly Rehearsal Schedule for BLOOD WEDDING

Monday, October 26th:
6th Period:
Work on Act 1, Scene 1 with Priscilla and Adriana
Work on Act 3, Scene 2 with all the women
7th Period: Work on the vignettes in the Wedding Scenes in Act 2
5 p.m. - 7 p.m.: Work on Act 3

Tuesday, October 27th:
Shortened Day:
Stumble through
Incorporating lights, sound, props, etc.
After stumble through work on those scenes as needed
Dismissal time: 7:00 p.m.

Wednesday, October 28th:
6th Period: Work on scenes with Priscilla, Laura, Ellada, Marlene and Hayden
7th Period: Work on 3rd Act
While I work with actors, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin
Stumble through with lights, sound, props, etc.
Dismissal time: 7:00 p.m.

Thursday, October 29th:
6th Period: Work on those scenes as needed
Stumble through with lights, sound, and props.
After stumble through work on those scenes as needed.
Dismissal time: 7:00 p.m.

Friday, October 30th:
Get costumes!

Saturday, October 31st:
10;00 a.m. - 3:30 p.m.:
Dress rehearsal with costumes, props, lights and sound

Sunday, November 1st:
11:00 - 3:30
Tech cue to cue

Monday, October 19, 2009

OCTOBER 19TH WEEKLY REHEARSAL SCHEDULE
FOR
BLOOD WEDDING

Monday, October 19th:
2:15 - 6:00: Stumble through

Tuesday, October 20th:
Shortened day.
We will stay until five.
Work on Act Three.
During the run-through, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin.

Wednesday, October 21st:
Continue working on Act Three.
During the run-through, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin.
5:00 - 6:00: Work with Leonardo and the Bride

Thursday, October 22nd:
Work on Acts 1 and 2
During the run-through, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin.
5:00 - 6:00: Work with Brenda, Andoni, the Wood Cutters: Jonathan, Alex, Roxana.

Friday, October 23rd:
Stumble through

Saturday, October 24th:
10:00 a.m. - 3:30 p.m.: RUN-THROUGH: EVERYONE IS CALLED!
Also: Scene work with Brenda, Andoni, the Wood Cutters: Jonathan, Alex, Roxana.

Sunday, October 25th:
11:00 am - 3:30: Work with: Hayden, Robert, Marlene, Priscilla, Adriana, Ellada, Laura, Nick, Brenda, Andoni

Sunday, October 11, 2009










OCTOBER 12TH WEEKLY REHEARSAL SCHEDULE FOR BLOOD WEDDING

Monday, October 12th:
6th Period:
Act 3; Scene 1: Wood Cutters, Moon and the Beggar Woman
7th Period: Mr. Itkin will work with the cast on the wedding scenes.
5 p.m. - 6 p.m.: Work with Priscilla, Robert and Neighbor

Tuesday, October 13th:
Shortened day:
6th Period: Continue working on Act 3; Scene 1: Wood Cutters, Moon and the Beggar Woman, Leonardo and Bride.
7th Period: Run Acts One and Two.
Dismissal at 5 p.m.

Wednesday, October 14th:
6th Period: Continue working on Act 3, Scene 1: Wood Cutters, Moon and the Beggar Woman, Leonardo and Bride.
7th Period: Begin working on Act 3, Scene 2: All the women in the cast.
5 p.m. - 6 p.m.: Continue working with Act 3, Scene 2: All the women in the cast.

Thursday, October 15th:
Open house at 6 p.m.
We will rehearse until 6 p.m. today.
Stumble through of the play.

Friday, October 16th:
I will be out of town today and this weekend. I will be back on Monday in time for rehearsals at 2:15.

Starting next week (October 19th) selected actors will stay until 7 p.m.
We will also have rehearsals from 10 to 4 on Saturday, October 24th and Saturday, October 31st.

Sunday, October 04, 2009










OCTOBER 5TH WEEKLY REHEARSAL SCHEDULE FOR BLOOD WEDDING

Monday, October 5th:
6th - 7th Periods:
Review the wedding scene
Begin blocking pages 38 - 48, Act 2; Scene 2. Begin incorporating music.

Tuesday, October 6th:
Shortened Day!
6th Period: Go to Valentino’s for costumes!

Wednesday, October 7th:
6th - 7th Periods:
Continue blocking and choreographing pages 38 - 48; Act 2, Scene 2. Incorporate music

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Thursday, October 8th:
6th - 7th Periods:
Continue working on pages 38 - 48; Act 2, Scene 2; incorporate music.
Begin work on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman; young girls

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Friday, October 9th:
6th Period only today.
Continue working on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman, young girls.
OCTOBER 5TH WEEKLY REHEARSAL SCHEDULE FOR BLOOD WEDDING

Monday, October 5th:
6th - 7th Periods:
Review the wedding scene
Begin blocking pages 38 - 48, Act 2; Scene 2. Begin incorporating music.

Tuesday, October 6th:
Shortened Day!
6th Period: Go to Valentino’s for costumes!

Wednesday, October 7th:
6th - 7th Periods:
Continue blocking and choreographing pages 38 - 48; Act 2, Scene 2. Incorporate music

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Thursday, October 8th:
6th - 7th Periods:
Continue working on pages 38 - 48; Act 2, Scene 2; incorporate music.
Begin work on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman; young girls

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Friday, October 9th:
6th Period only today.
Continue working on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman, young girls.

Sunday, September 20, 2009










SEPTEMBER 21ST
WEEKLY SCHEDULE
FOR
BLOOD WEDDING

Monday, September 21st:

Cast list posted.
Crews assigned.
We will not stay late today.


Tuesday, September 22nd:

Shortened day.
Watch video of BLOOD WEDDING.
Dismissal after 6th Period.
We will not stay late today.


Wednesday, September 23rd:

Read through.
We will stay through 7th Period.
Dismissal at 5:00

Thursday, September 24th:

Act One Rehearsal: Mother, Bridegroom (son), Neighbor, Wife, Mother-in-Law, Leonardo, Girl, Bridegroom’s Mother, Bride’s Father, Servant, Bride.
Dismissal at 5:00

Friday, September 25th:

Continue working on Act One.
Dismissal at 3:13 pm.

Tuesday, September 08, 2009


BLOOD WEDDING

We are excited to announce this year’s production is Federico Garcia Lorca’s BLOOD WEDDING, a poetic tragedy with dance and music. Scripts are available in room 503. Kate Bridges will direct, Lisa Goldschein will choreograph, and Paul Itkin will produce. The production dates are Thursday, November 5th; Friday, November 6th; Saturday, November 7th; and Sunday, November 8th.
Casting will begin next week, Monday, September 14th during 6th period Play Production and will continue through 7th period; the final day of auditions will be Wednesday, September 16th. Rehearsals will begin immediately and go from 6th period until five o’clock. When we get closer to performance - approximately, the middle of October - we will rehearse until six p.m. There will also be two Saturday rehearsals prior to the opening - Saturday, October 24th and Saturday, October 31 - I know, I know, it’s Halloween, but I’ll let you guys out early! The week of the performance (November 1st) we will be staying until eight or nine. During the nights of the performances the call time will be at 5 p.m.; curtain will be at 7 p.m.; the show will be over at about 9 p.m. and your parents will be picking you up at 9:30.
As you can see, BLOOD WEDDING, like all the shows you have been in, will be a huge time and energy commitment! In addition, you are expected to maintain a 2.0 average. If your midterm average is below 2.0 November 1st, you cannot do the show.
Because creating a show is fun, exhilarating and exhausting, there are a few rules we need to follow so that this is a wonderful experience for all of us:
Be punctual. If you are consistently late and we have to wait for you, you will be fired from the show. It is inconsiderate to make people wait for you and it wastes valuable time.
Be there! We cannot rehearse with you if you are not there. Plan your personal needs - eating, going to the bathroom, etc. - so that they do not conflict with the rehearsals. If we have to go looking for you and we find you down at “IN-and-OUT” rather than at rehearsal, then - yup, you guessed it! - you’ll be fired.
Be professional. Leave personal issues outside of the rehearsal. If you do have issues with someone in the show, please let Ms. Bridges, Ms. Goldschein or Mr. Itkin know.
Come prepared! Bring your script, a pencil, and appropriate rehearsal clothes every day to rehearsal.
Learn your lines, blocking and choreography in a timely manner.
Listen to the directors and follow directions. If you have an idea you’d like to suggest - great! Share it with us and we’ll see if it works. But always be respectful of other people’s opinions and work.
No talking, goofing off, playing around, text messaging, cell phone or i-pod use during rehearsal. No explanation needed.
Now, with all that said, we genuinely hope this is a wonderful, fun experience for you that you will look back on with great fondness. Break a leg, everyone!

Sincerely,

Kate Bridges
Director

I have read the contract and will comply with the requirements:

Actor:_____________________________________________________________

Parent:____________________________________________________________

Tuesday, November 11, 2008










Hello everyone!

The dates for the production of THE SUGAR BEAN SISTERS are THURSDAY, FRIDAY, SATURDAY AND SUNDAY, JANUARY 22ND, JANUARY 23RD, JANUARY 24TH AND JANUARY 25TH. The evening shows Thursday through Saturday are at 7pm and the Sunday matinee is at 2pm.

I would like to begin rehearsals soon and rehearse 6th period through 5pm, Monday, Wednesday and Thursday; however it is contingent on Ms Thompson's and Mr. Sacks' rehearsal schedules for their shows go up before ours.

We will rehearse in 503 until the second week of December - after Mr. Sack's show - when we will then move into the auditorium.

Please be aware that we will be rehearsing the first two weeks of January during our winter break. So when everyone else is sleeping in, or going to the mall, or skiing, or whatever, WE will be in the chilly auditorium rehearsing. I will be considerate and make the rehearsal in the middle of the day (from 10 to about 2) so we can all get a little shuteye.

Sunday, September 21, 2008

REHEARSAL SCHEDULE
FOR
WEEK OF
SEPTEMBER 22ND - 26TH


MONDAY, SEPTEMBER 22ND:

2:00 - 5:00 PM:

Faye, Willie, Videlia are called; block first act.


TUESDAY, SEPTEMBER 23RD:

SHORTENED DAY!

6th Period:

Learn lines and work on props; costumes; publicity and programs


WEDNESDAY, SEPTEMBER 24TH:

2:00 - 5:00 PM:

Continue working on first act; revisit what was blocked and continue working on first act.


THURSDAY, SEPTEMBER 25TH:

6th Period:

Learn lines and work on crews.

3:00 - 5: 00 PM:

Continue working on first act; revisit what was blocked and continue working on first act.


FRIDAY, SEPTEMBER 26TH:

6TH Period:

Learn lines and work on crews.

Monday, September 08, 2008

PLAY PRODUCTION
FOR
THE SUGAR BEAN SISTERS


This semester we are doing a play by Nathan Sanders entitled THE SUGAR BEAN SISTERS. The running dates are going to be December 4th, 5th, 6th and 7th, Thursday, Friday, Saturday at 7 pm and Sunday at 2 pm. The rehearsals will be Monday through Friday during 6th and 7th period (2 pm - 5 pm). As we get closer to the opening (around the middle of November) we may - depending upon the need - stay until six or seven o’clock at night; however, if we work hard every day and are prompt the late rehearsals can be avoided. There will probably be at least two Saturday rehearsals in November for tech.

In order to be eligible to be in the show, each actor must maintain a 2.0 average on her/his last mid-term or final report card. Since our show goes up after the mid-term, your mid-term report card will be considered to determine your eligibility.

So that our working together is fun, relatively stress-free and productive, the following code of behavior should be followed:


Be prompt! Arrive on time with your script, pencils, props and costumes ready to go. If rehearsal time is called for 2:00 be ready to go at 2:00. Take care of personal necessities (phone calls, bathroom, etc.) before the rehearsal. The less time we waste, the less time we will have to stay late.

Come to rehearsals! Please try to schedule appointments, meetings, etc. outside of rehearsal time. If an appointment must be scheduled during rehearsal time, please give the director twenty-four hours notice if possible, with a note (and a parent’s phone number). I know that emergencies do occur and cannot always be avoided, but again, the more rehearsal time is wasted, the more late night rehearsals must be scheduled.

Be focused on the play. If you are having a personal problem, don’t bring it into the show - leave it at the back door. If it is overwhelming, please come in private to me or to Ms. Payne so that it can be discussed and resolved.

If you are having issues with another cast member, please come to the director (that would be me) and discuss it.

Please respect your director, your fellow actors and the words of the playwright. Remember the Golden Rule - treat others as you would have others treat you? It’s a good rule. Before you say that oh so funny but snarky comment about another, think for a second and consider if you would think it so funny if it were said about you.

No side talking, text messaging (horrors!) or just general fooling around while we are rehearsing. Remember: the time we waste during rehearsal will have to be made up during Saturday rehearsals and/or many late night rehearsals.

Time management. When you are not being used during rehearsal, use the available time for: learning your lines, organizing your props, assembling your costumes or (horrors!) doing your homework!!!!! Doing your homework will help you keep your grades up so that you will be eligible to do the show.

No drugs or alcohol either on campus, during rehearsals or off. Drugs profoundly change people’s personalities - always for the worse - and it lowers the energy and general atmosphere of the project, making what could have been a joyous, fun and creative enterprise into a negative, frustrating and prosaic trial.

Continued infractions of the above requests will result in removal from the play and a serious reduction in the final grade for play production.


I am sure there are plenty of other things I am forgetting, but this will be enough for the moment. I hope that this will be a fun and fulfilling experience for us all.

Sincerely,

Kate Bridges

I have read the above and agree to abide by the requests:

actor’s signature:______________________________________________

parent’s signature:_____________________________________________

Sunday, December 02, 2007

APPROVAL FOR PROJECT FINALS

Play Production
Final Productions


Isamora Ayala:

Your project looks good: costume designs for DEATH OF A SALESMAN. Please be sure you follow the costume requirements for the costume design final.

Diana Caldera:

What exactly will you be doing with Grace on the video: writing, directing, acting? I also need to have more information on the scene you’re doing as an actor. Please follow the requirements for each final.

Taryn Cohen:

You have approval on your project with Elizabeth: your video takeoff on past scenes from SATURDAY NIGHT LIVE.

Esmeralda De La Cruz:

You must do costumes for the four lovers, Lysander, Hermia, Helena, and Demetrius; Titania, Oberon, Puck, a generic costume for the fairies and for the “mechanicals”. Please make sure you follow the requirements for the costume design final.

Elizabeth Giron:

You have approval on your project with Taryn: your video takeoff on past scenes from SATURDAY NIGHT LIVE.

Edgar Gonzalez:

You have approval on your acting scenes from BROKEN PROMISES. Please follow format for the acting final.

Vanessa Gray:

Please refer to my response to Monique.

Rio James:

I know you are doing costume designs but could you please tell me the play you will be doing? Please follow the format for the costume design final.

Grace MacMillan:

You have approval on your project: a detective genre (ala “Law and Order) video. Please follow the format for the film making final.

Phoenix Mason:

You have approval on your screenplay. Please follow format for the screenplay finals.




Monique Mejia:

I need two scenes. Find another scene with Vanessa. If you want to do a comedy, a few come to mind: CRIMES OF THE HEART, SWAMP SISTERS (which is hysterically funny). There is also LAUNDRY AND BOURBON. Please give me more information on “The Role of Della”. I need the name of the play, etc.

Alexis Moody:

You must also provide a set design for EQUUS. Perhaps you can collaborate with Caitlin O’Connor - she can work on the set design and you can work on the lighting design.


Zack Moore:

Your project looks good. You will be designing the men’s costumes for HAIRSPRAY. Please be sure you follow the requirements for the costume design final.


Caitlin O’Connor:

I need to know exactly what you are going to be doing on this project. Perhaps you can collaborate with Alexis on the set design for EQUUS. You have approval for the acting scene with Andoni but you must follow the requirements for the acting final.


Princess Wymon:

Your project looks good. You are going to be designing the costumes for the women in HAIRSPRAY. Please be sure to follow the requirements for the costume design final.


Andoni Zorbas:

Your project looks good: Two scenes; one with Caitlin from Christopher Durang’s “For Whom the Southern Bell Tolls” and the other scene (monologue?) from BUBA. Please give me additional information about BUBA - is it a monologue from a play or a scene? Please be sure to follow the format for the acting final.






Final Presentations
for
Play Production

The Designer’s Lab

For those of you who are designing sets and lights:

Wednesday, December 5th:

You must present a synopsis of the play.
In your synopsis you must include color schemes and of course, the reasons for the colors chosen, and any special set or lighting considerations the script may require.


Wednesday, December 12th:

Your floor plans and/or your lighting plot are due today. You must submit a design for each differing scene in the play. If you are doing A MIDSUMMER NIGHT’S DREAM, then you must have a design for each scene in the play.


Monday, December 17th:

Your rendering is due today. It may be a drawing or a three-dimensional rendering of the set.

Thursday, December 20th:

Final presentation of set and lighting design.

Final Project for the Designer's Lab


FINAL PROJECT
FOR
PLAY PRODUCTION

THE DESIGNER’S LAB


For the costumers:

You will need to submit a typed or neatly written synopsis of the play and a description of each character.

You will also need to discuss color, types of fabric and textures you will select to build the costumes and how this will relate to the overall vision of the play.

You will also need to submit a budget detailing the cost of fabric, and other materials.

You will need to submit your drawings plus a swatch of fabric and color.

TIME LINE:

December 5th:
Synopsis of play and description of each character, plus list of fabric and colors used.


December 7th:
A budget for the costumes must be submitted.


December 12th:
First draft renderings of costumes are due.


December 17th:
Second draft renderings of costumes are due.


December 20th:
Final presentations. The final presentations should be expertly drawn, colored, with swatch of fabric, color palette, characters’ names and a brief description of character.

For extra credit, bring in one finished costume that you built - not bought or dragged down from the costume shop.

For extra credit, sign up for Denise Cook’s costume class offered through L.A.C.C.

Saturday, December 01, 2007

Final Project for Filmmakers



FINAL PROJECT
FOR
PLAY PRODUCTION

THE FILM MAKER’S LAB

Two drafts of the screenplay must be presented; the second draft may the final draft.

A storyboard must be presented with the second draft.
The video must include:

Script
Sound
Music
Props
Costumes
Setting

Time Line:

November 30th:
Present the synopsis of the project.

December 5th:
1st draft of the screenplay.

December 12th:
2nd draft of the script along with the storyboard.

December 17th:
Rough cut.

December 20th:
Final cut of video.

Final Project for Writers


FINAL PROJECT
FOR
PLAY PRODUCTION


THE WRITER’S LAB

For those of you who are writing a play or screenplay:

Your screenplay/play should be at least twenty pages in length and have three drafts: the first, second and the third (final)draft.

A synopsis must be presented with the first draft.

The screenplay/play must be typed.

The screenplay/play must have at least two characters.

The screenplay/play must have a setting which is described by you, the writer.

TIME LINE

November 30th:

A synopsis of the play/screenplay with a working title. The synopsis should include a tentative character breakdown and a theme.

December 5th:

First draft of the play/screenplay with a more refined synopsis, character breakdown and theme.

December 12th:

Second draft of the play/screenplay.

December 17th:

The third and final draft of the play/screenplay.