Friday, September 24, 2010












BLACK ORPHEUS
Weekly Rehearsal Schedule
for September 27th - October 1st:

Monday, September 27th:
6th Period: Work on scenes between Serafina and Chico
3:30 - 5:00: Read through of play

Tuesday, September 28th:
6th Period: Work on scenes with Orpheus, Paris and Hector; Serafina and Chico,
3:00 - 5:00: Work on scenes with Orpheus and Eurydice, Mira, Serafina and Chico

Wednesday, September 29th:
6th Period: work on scenes with Orpheus, Paris and Hector, Hermes, Tiresias, Serafina and Chico
3:00 - 5:00: Work on scenes with Orpheus, Lady D'Arc and the costumers, Serafina,

Thursday, September 30th:
6th Period: Work on scenes with Orpheus, Eurydice, Mira, Serafina and Chico
3:00 - 5:00: Work on scenes with Orpheus, Lady D'Arc and the costumers, Serafina, Eurydice, and Mira

Friday, October 1
6th Period: Work on scenes with Orpheus, Eurydice, Hector, Paris, Serafina, Mira
3:00 - 5:00: Continue working on the above scenes.

Sunday, September 19, 2010

Contract for BLACK ORPHEUS


CONTRACT FOR BLACK ORPHEUS

The fall play production this year will be BLACK ORPHEUS, based on the 1959 movie by Marcel Camus. The story is an ancient Greek myth of two lovers, Orpheus and Eurydice; Orpheus is a young man who can make the sun rise with the beauty of his voice, and Eurydice is his tragic love. On their wedding day, Eurydice is dancing through a meadow when she is bitten on the heel by a snake. She immediately dies and her soul goes to Hades, the underworld where all souls go after death. Bereft of his young bride, Orpheus decides to go down to the underworld and plead with Hades to release Eurydice back to him. At first, Hades refuses, but when Orpheus begins to sing, even the God of the Dead is moved to tears and agrees to allow Eurydice to return above ground to join the living, but on one condition - that Orpheus cannot look upon her face until they ascend to earth. If Orpheus looks  at her while they are still in Hades’ dominion, then Eurydice will return to him as his prisoner and Orpheus will never see her alive again. The two lovers begin their trek but just as Orpheus sees the sunlight breaking through the mouth of the cave above ground, he can no longer restrain himself and he turns with shining eyes to gaze upon his beloved. But alas, in his eagerness to be with his love, Orpheus has broken Hades’ condition and with a cry of despair Eurydice is drawn back into the depths of the underworld, never to be seen by Orpheus or any living creature again.


The story has been updated to present day Mardi Gras in New Orleans. A young girl arrives in the big city and there meets a handsome young musician. They both fall deeply in love with each other, but the timeless story is acted out again with the same terrible results.

The play, set in New Orleans during Mardi Gras, is filled with music and dancing. Everywhere one turns one hears the incessant beating, like a heart, of the drums. The characters are made up of the people from the community of Bourbon Street and they are both young and old, fat and lean and all are filled with life and love and rhythm. We are not looking for trained dancers or singers but rather people who can dance to the drumming of life. We need people who are filled with the joy and exuberance of life and love, and can focus that positive (and disciplined) energy on stage.

Rehearsals will start September 27th and will run from 6th period through 5:00 p.m. Monday through Friday. If you are in H20, do not despair, you can be in the show. However, rehearsals with performers from H20 will be Tuesdays, Thursdays and Fridays. You do not have to be in 6th period to be in the show, but we would prefer that you are.

Starting in November, selected actors will stay until 6 p.m. As we get closer to opening (which is December 9th) everyone will begin staying late - from 7 p.m., to 8 p.m. and finally, the last week before we open, until 9:00 p.m. There will be Saturday rehearsals starting in November.
We have a preview of the show at 1:15 on Thursday, December 9th for the school; our official opening is at 7 p.m. on Thursday, December 9th. The show runs Friday and Saturday, on December 10th and 11th, at 7 p.m., and at 2 p.m. on Sunday afternoon on December 12th.

You must be courteous and professional at all times. This means that you must arrive punctually to every rehearsal, and that you must stay until you are dismissed. It also means that you arrive at rehearsal ready to work with your lines and blocking memorized. Cell phones and ipods are strictly prohibited on stage! And at all times it is understood that you must behave in a mature, courteous manner to everyone. Keep outside baggage outside - there is no space in theatre for personal drama.

Finally, it is imperative that you keep at least a 2.0 average in your classes. Failure to do so may result in your immediate dismissal from the show.

Now, let’s get to work, have fun and create some magic!

I have read this and agree to comply with the conditions of working on the show.

Actor:_________________________________________



Parent:________________________________________

Saturday, January 09, 2010










WEEKLY AGENDA FOR
PLAY PRODUCTION
WEEK OF JANUARY 11th - 15th

Monday, January 11th:
Today we need to have a production meeting to determine the following:

A crew of about three to design, create and print out about 350 tickets for DURANG, DURANG; $2 pre-sell; $3 at the door; 3:30 - 4:30 on Wednesday, January 20th and Thursday, January 21st.

We need to coordinate pre-show sales of the tickets. Tickets should be passed out to the class by Thursday and everyone MUST sell at least five tickets.

We will organize for Tuesday, Wednesday and Thursday of next week (January 19th, 20th and 21st) lunch sales of the pre-show tickets.

Publicity Crew should write out announcements for the show to be read by Mr. Nacorda during the p.s.a.’s on Monday and Thursday of each week.

The publicity crew should copy and then distribute the fliers for the show this week.

We need someone(s) to gather the titles of the shows, the names of the directors, cast and crew to create a one sheet program. It must be designed, typed and copied and ready to go by Monday, January the 18th.

The directors need to meet and discuss music. An overall sound designer should design, choose (with input from the directors) internal music; pre-show and after show and interlude music, and create the c.d. and then either run sound her/himself or train someone to do it.

The costumers should help coordinate with the directors and the actors the costumes for the show.

Needless to say, all lines must be memorized and all blocking completed by directors this week!

Tuesday, January 12th:
All crews working on the show! No one not working!
Full rehearsals with props and costumes.
Check list to see what is missing!

Wednesday, January 13th:
Same

Thursday, January 14th:
Full run-through of all shows from start to end.
Props, costumes, music, lighting
Time the shows

Friday, January 15th:
Full run-through!

Sunday, December 13, 2009










December 14th - December 18th
Schedule for
Play Production

Monday, December 14th:

Production meetings with crews:
Publicity
Prop
Sets
Costumes
Rehearse


Tuesday, December 15th:

Shortened day!
Rehearse


Wednesday, December 16th:

Today I will sit in on a rehearsal.
Conference with director
Rehearse


Thursday, December 17th:

Today I will sit in on a rehearsal.
Conference with director.
Rehearse


Friday, December 18th:

Today I will sit in on a rehearsal.
Conference with director.
Rehearse

Friday, December 04, 2009










Monday, December 7th:

Meet with directors, actors and crews today to discuss:
rehearsal schedule
set designs
costumes
prop list
publicity

Directors will begin read through of their scenes

Tuesday, December 8th:

Directors will begin rehearsing

Wednesday, December 9th:

Rehearse

Work with set designers
Work with props

Thursday, December 10th:

Rehearse

Work with costumers

Friday, December 11th:

Rehearse

Work with publicity crew

Saturday, November 28, 2009



















Monday, November 30th:
Begin auditioning!
The directors will pass out sides to the actors.
The actors will pair up and rehearse outside.
Marlene and Julio will act as stage managers who will call the actors into 503 to audition for all the directors at the same time.


Tuesday, December 1st:
Shortened day!
Continue auditioning!


Wednesday, December 2nd:
Last day of auditioning!


Thursday, December 3rd:
Producer and directors conferences


Friday, December 4th:
Casting Announcements. Begin rehearsing! Woohoo!

Sunday, November 01, 2009










BLOOD WEDDING
REHEARSAL AND PERFORMANCE SCHEDULE
FOR THE WEEK OF NOVEMBER 1ST - 8TH

Monday, November 2nd:
2nd Period:
Work with Leonardo and the Bride
6th Period:
Work with women on Cathedral Scene
Ms. Goldschein will work with selected dancers
3:30 - 4:00 p.m.
Work with the Wife, the Mother-in-Law, Leonardo and Albert on sound for Act 1; Sc. 2
Ms. Goldschein will work with selected dancers
4:00 p.m. - 8:00 p.m.:
Run - through with props, costumes. lights and sound
8:00 p.m. - 9:30 p.m.:
Work on selected scenes

Tuesday, November 3rd:
Not a shortened day!
2nd Period:
Work with Leonardo and the Bride
6th Period - 3:45 p.m.:
Work with women in Cathedral Scene
Work with the Mother, the Bridegroom and Neighbor
Ms. Goldschein will work with selected dancers
4:00 p.m. - 8:00 p.m.:
Run-through with props, costumes, lights and sound
8:00 p.m. - 9:30 p.m.:
Work on selected scenes

Wednesday, November 4th:
2nd Period:
Work with Leonardo and the Bride
6th Period - 3:45 p.m.:
Work on Act 2 Wedding vignettes
Ms. Goldschein will work with selected dancers
4:00 p.m. - 8:00 p.m.:
Run-through with props, costumes. lights and sound
8:00 p.m. - 9:30 p.m.:
Work on selected scenes





Thursday, November 5th:
3rd Period:
Assemble in auditorium
Notes, make-up, costumes, brush-ups
5th Period:
Invitational Assembly
Acts 1 and 2
6th Period:
Invitational Assembly
Acts 1 and 2
3:30 - 4:00 p.m.:
Walk-through of Act 3
5:30 p.m. Call time
7:00 p.m. Performance
After performance clean-up
10:00 dismissal

Friday, November 6th:
6th Period:
Notes and run lines
3:15 - 5:00: Free time!
Eat, nap and rest
5:00 p.m. Call time
7:00 p.m.Performance
After Performance clean-up
10:00: Dismissal

Saturday, November 7th:
5:00 p.m. Call Time
7:00 p.m.Performance
After performance clean-up
10:00 dismissal

Sunday, November 8th:
12:00 p.m. Call Time
2:00 p.m. Performance
After performance clean-up
5:00 p.m. dismissal

Monday, October 26, 2009










October 26th Weekly Rehearsal Schedule for BLOOD WEDDING

Monday, October 26th:
6th Period:
Work on Act 1, Scene 1 with Priscilla and Adriana
Work on Act 3, Scene 2 with all the women
7th Period: Work on the vignettes in the Wedding Scenes in Act 2
5 p.m. - 7 p.m.: Work on Act 3

Tuesday, October 27th:
Shortened Day:
Stumble through
Incorporating lights, sound, props, etc.
After stumble through work on those scenes as needed
Dismissal time: 7:00 p.m.

Wednesday, October 28th:
6th Period: Work on scenes with Priscilla, Laura, Ellada, Marlene and Hayden
7th Period: Work on 3rd Act
While I work with actors, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin
Stumble through with lights, sound, props, etc.
Dismissal time: 7:00 p.m.

Thursday, October 29th:
6th Period: Work on those scenes as needed
Stumble through with lights, sound, and props.
After stumble through work on those scenes as needed.
Dismissal time: 7:00 p.m.

Friday, October 30th:
Get costumes!

Saturday, October 31st:
10;00 a.m. - 3:30 p.m.:
Dress rehearsal with costumes, props, lights and sound

Sunday, November 1st:
11:00 - 3:30
Tech cue to cue

Monday, October 19, 2009

OCTOBER 19TH WEEKLY REHEARSAL SCHEDULE
FOR
BLOOD WEDDING

Monday, October 19th:
2:15 - 6:00: Stumble through

Tuesday, October 20th:
Shortened day.
We will stay until five.
Work on Act Three.
During the run-through, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin.

Wednesday, October 21st:
Continue working on Act Three.
During the run-through, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin.
5:00 - 6:00: Work with Leonardo and the Bride

Thursday, October 22nd:
Work on Acts 1 and 2
During the run-through, the dancers will work with Ms. Goldschein and selected actors will work with Mr. Itkin.
5:00 - 6:00: Work with Brenda, Andoni, the Wood Cutters: Jonathan, Alex, Roxana.

Friday, October 23rd:
Stumble through

Saturday, October 24th:
10:00 a.m. - 3:30 p.m.: RUN-THROUGH: EVERYONE IS CALLED!
Also: Scene work with Brenda, Andoni, the Wood Cutters: Jonathan, Alex, Roxana.

Sunday, October 25th:
11:00 am - 3:30: Work with: Hayden, Robert, Marlene, Priscilla, Adriana, Ellada, Laura, Nick, Brenda, Andoni

Sunday, October 11, 2009










OCTOBER 12TH WEEKLY REHEARSAL SCHEDULE FOR BLOOD WEDDING

Monday, October 12th:
6th Period:
Act 3; Scene 1: Wood Cutters, Moon and the Beggar Woman
7th Period: Mr. Itkin will work with the cast on the wedding scenes.
5 p.m. - 6 p.m.: Work with Priscilla, Robert and Neighbor

Tuesday, October 13th:
Shortened day:
6th Period: Continue working on Act 3; Scene 1: Wood Cutters, Moon and the Beggar Woman, Leonardo and Bride.
7th Period: Run Acts One and Two.
Dismissal at 5 p.m.

Wednesday, October 14th:
6th Period: Continue working on Act 3, Scene 1: Wood Cutters, Moon and the Beggar Woman, Leonardo and Bride.
7th Period: Begin working on Act 3, Scene 2: All the women in the cast.
5 p.m. - 6 p.m.: Continue working with Act 3, Scene 2: All the women in the cast.

Thursday, October 15th:
Open house at 6 p.m.
We will rehearse until 6 p.m. today.
Stumble through of the play.

Friday, October 16th:
I will be out of town today and this weekend. I will be back on Monday in time for rehearsals at 2:15.

Starting next week (October 19th) selected actors will stay until 7 p.m.
We will also have rehearsals from 10 to 4 on Saturday, October 24th and Saturday, October 31st.

Sunday, October 04, 2009










OCTOBER 5TH WEEKLY REHEARSAL SCHEDULE FOR BLOOD WEDDING

Monday, October 5th:
6th - 7th Periods:
Review the wedding scene
Begin blocking pages 38 - 48, Act 2; Scene 2. Begin incorporating music.

Tuesday, October 6th:
Shortened Day!
6th Period: Go to Valentino’s for costumes!

Wednesday, October 7th:
6th - 7th Periods:
Continue blocking and choreographing pages 38 - 48; Act 2, Scene 2. Incorporate music

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Thursday, October 8th:
6th - 7th Periods:
Continue working on pages 38 - 48; Act 2, Scene 2; incorporate music.
Begin work on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman; young girls

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Friday, October 9th:
6th Period only today.
Continue working on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman, young girls.
OCTOBER 5TH WEEKLY REHEARSAL SCHEDULE FOR BLOOD WEDDING

Monday, October 5th:
6th - 7th Periods:
Review the wedding scene
Begin blocking pages 38 - 48, Act 2; Scene 2. Begin incorporating music.

Tuesday, October 6th:
Shortened Day!
6th Period: Go to Valentino’s for costumes!

Wednesday, October 7th:
6th - 7th Periods:
Continue blocking and choreographing pages 38 - 48; Act 2, Scene 2. Incorporate music

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Thursday, October 8th:
6th - 7th Periods:
Continue working on pages 38 - 48; Act 2, Scene 2; incorporate music.
Begin work on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman; young girls

5:00 - 6:00 p.m.: Work with Bride and Leonardo

Friday, October 9th:
6th Period only today.
Continue working on Act 3, Scene 1; Wood cutters, Moon and Beggar Woman, young girls.

Sunday, September 20, 2009










SEPTEMBER 21ST
WEEKLY SCHEDULE
FOR
BLOOD WEDDING

Monday, September 21st:

Cast list posted.
Crews assigned.
We will not stay late today.


Tuesday, September 22nd:

Shortened day.
Watch video of BLOOD WEDDING.
Dismissal after 6th Period.
We will not stay late today.


Wednesday, September 23rd:

Read through.
We will stay through 7th Period.
Dismissal at 5:00

Thursday, September 24th:

Act One Rehearsal: Mother, Bridegroom (son), Neighbor, Wife, Mother-in-Law, Leonardo, Girl, Bridegroom’s Mother, Bride’s Father, Servant, Bride.
Dismissal at 5:00

Friday, September 25th:

Continue working on Act One.
Dismissal at 3:13 pm.

Tuesday, September 08, 2009


BLOOD WEDDING

We are excited to announce this year’s production is Federico Garcia Lorca’s BLOOD WEDDING, a poetic tragedy with dance and music. Scripts are available in room 503. Kate Bridges will direct, Lisa Goldschein will choreograph, and Paul Itkin will produce. The production dates are Thursday, November 5th; Friday, November 6th; Saturday, November 7th; and Sunday, November 8th.
Casting will begin next week, Monday, September 14th during 6th period Play Production and will continue through 7th period; the final day of auditions will be Wednesday, September 16th. Rehearsals will begin immediately and go from 6th period until five o’clock. When we get closer to performance - approximately, the middle of October - we will rehearse until six p.m. There will also be two Saturday rehearsals prior to the opening - Saturday, October 24th and Saturday, October 31 - I know, I know, it’s Halloween, but I’ll let you guys out early! The week of the performance (November 1st) we will be staying until eight or nine. During the nights of the performances the call time will be at 5 p.m.; curtain will be at 7 p.m.; the show will be over at about 9 p.m. and your parents will be picking you up at 9:30.
As you can see, BLOOD WEDDING, like all the shows you have been in, will be a huge time and energy commitment! In addition, you are expected to maintain a 2.0 average. If your midterm average is below 2.0 November 1st, you cannot do the show.
Because creating a show is fun, exhilarating and exhausting, there are a few rules we need to follow so that this is a wonderful experience for all of us:
Be punctual. If you are consistently late and we have to wait for you, you will be fired from the show. It is inconsiderate to make people wait for you and it wastes valuable time.
Be there! We cannot rehearse with you if you are not there. Plan your personal needs - eating, going to the bathroom, etc. - so that they do not conflict with the rehearsals. If we have to go looking for you and we find you down at “IN-and-OUT” rather than at rehearsal, then - yup, you guessed it! - you’ll be fired.
Be professional. Leave personal issues outside of the rehearsal. If you do have issues with someone in the show, please let Ms. Bridges, Ms. Goldschein or Mr. Itkin know.
Come prepared! Bring your script, a pencil, and appropriate rehearsal clothes every day to rehearsal.
Learn your lines, blocking and choreography in a timely manner.
Listen to the directors and follow directions. If you have an idea you’d like to suggest - great! Share it with us and we’ll see if it works. But always be respectful of other people’s opinions and work.
No talking, goofing off, playing around, text messaging, cell phone or i-pod use during rehearsal. No explanation needed.
Now, with all that said, we genuinely hope this is a wonderful, fun experience for you that you will look back on with great fondness. Break a leg, everyone!

Sincerely,

Kate Bridges
Director

I have read the contract and will comply with the requirements:

Actor:_____________________________________________________________

Parent:____________________________________________________________

Tuesday, November 11, 2008










Hello everyone!

The dates for the production of THE SUGAR BEAN SISTERS are THURSDAY, FRIDAY, SATURDAY AND SUNDAY, JANUARY 22ND, JANUARY 23RD, JANUARY 24TH AND JANUARY 25TH. The evening shows Thursday through Saturday are at 7pm and the Sunday matinee is at 2pm.

I would like to begin rehearsals soon and rehearse 6th period through 5pm, Monday, Wednesday and Thursday; however it is contingent on Ms Thompson's and Mr. Sacks' rehearsal schedules for their shows go up before ours.

We will rehearse in 503 until the second week of December - after Mr. Sack's show - when we will then move into the auditorium.

Please be aware that we will be rehearsing the first two weeks of January during our winter break. So when everyone else is sleeping in, or going to the mall, or skiing, or whatever, WE will be in the chilly auditorium rehearsing. I will be considerate and make the rehearsal in the middle of the day (from 10 to about 2) so we can all get a little shuteye.

Sunday, September 21, 2008

REHEARSAL SCHEDULE
FOR
WEEK OF
SEPTEMBER 22ND - 26TH


MONDAY, SEPTEMBER 22ND:

2:00 - 5:00 PM:

Faye, Willie, Videlia are called; block first act.


TUESDAY, SEPTEMBER 23RD:

SHORTENED DAY!

6th Period:

Learn lines and work on props; costumes; publicity and programs


WEDNESDAY, SEPTEMBER 24TH:

2:00 - 5:00 PM:

Continue working on first act; revisit what was blocked and continue working on first act.


THURSDAY, SEPTEMBER 25TH:

6th Period:

Learn lines and work on crews.

3:00 - 5: 00 PM:

Continue working on first act; revisit what was blocked and continue working on first act.


FRIDAY, SEPTEMBER 26TH:

6TH Period:

Learn lines and work on crews.

Monday, September 08, 2008

PLAY PRODUCTION
FOR
THE SUGAR BEAN SISTERS


This semester we are doing a play by Nathan Sanders entitled THE SUGAR BEAN SISTERS. The running dates are going to be December 4th, 5th, 6th and 7th, Thursday, Friday, Saturday at 7 pm and Sunday at 2 pm. The rehearsals will be Monday through Friday during 6th and 7th period (2 pm - 5 pm). As we get closer to the opening (around the middle of November) we may - depending upon the need - stay until six or seven o’clock at night; however, if we work hard every day and are prompt the late rehearsals can be avoided. There will probably be at least two Saturday rehearsals in November for tech.

In order to be eligible to be in the show, each actor must maintain a 2.0 average on her/his last mid-term or final report card. Since our show goes up after the mid-term, your mid-term report card will be considered to determine your eligibility.

So that our working together is fun, relatively stress-free and productive, the following code of behavior should be followed:


Be prompt! Arrive on time with your script, pencils, props and costumes ready to go. If rehearsal time is called for 2:00 be ready to go at 2:00. Take care of personal necessities (phone calls, bathroom, etc.) before the rehearsal. The less time we waste, the less time we will have to stay late.

Come to rehearsals! Please try to schedule appointments, meetings, etc. outside of rehearsal time. If an appointment must be scheduled during rehearsal time, please give the director twenty-four hours notice if possible, with a note (and a parent’s phone number). I know that emergencies do occur and cannot always be avoided, but again, the more rehearsal time is wasted, the more late night rehearsals must be scheduled.

Be focused on the play. If you are having a personal problem, don’t bring it into the show - leave it at the back door. If it is overwhelming, please come in private to me or to Ms. Payne so that it can be discussed and resolved.

If you are having issues with another cast member, please come to the director (that would be me) and discuss it.

Please respect your director, your fellow actors and the words of the playwright. Remember the Golden Rule - treat others as you would have others treat you? It’s a good rule. Before you say that oh so funny but snarky comment about another, think for a second and consider if you would think it so funny if it were said about you.

No side talking, text messaging (horrors!) or just general fooling around while we are rehearsing. Remember: the time we waste during rehearsal will have to be made up during Saturday rehearsals and/or many late night rehearsals.

Time management. When you are not being used during rehearsal, use the available time for: learning your lines, organizing your props, assembling your costumes or (horrors!) doing your homework!!!!! Doing your homework will help you keep your grades up so that you will be eligible to do the show.

No drugs or alcohol either on campus, during rehearsals or off. Drugs profoundly change people’s personalities - always for the worse - and it lowers the energy and general atmosphere of the project, making what could have been a joyous, fun and creative enterprise into a negative, frustrating and prosaic trial.

Continued infractions of the above requests will result in removal from the play and a serious reduction in the final grade for play production.


I am sure there are plenty of other things I am forgetting, but this will be enough for the moment. I hope that this will be a fun and fulfilling experience for us all.

Sincerely,

Kate Bridges

I have read the above and agree to abide by the requests:

actor’s signature:______________________________________________

parent’s signature:_____________________________________________

Sunday, December 02, 2007

APPROVAL FOR PROJECT FINALS

Play Production
Final Productions


Isamora Ayala:

Your project looks good: costume designs for DEATH OF A SALESMAN. Please be sure you follow the costume requirements for the costume design final.

Diana Caldera:

What exactly will you be doing with Grace on the video: writing, directing, acting? I also need to have more information on the scene you’re doing as an actor. Please follow the requirements for each final.

Taryn Cohen:

You have approval on your project with Elizabeth: your video takeoff on past scenes from SATURDAY NIGHT LIVE.

Esmeralda De La Cruz:

You must do costumes for the four lovers, Lysander, Hermia, Helena, and Demetrius; Titania, Oberon, Puck, a generic costume for the fairies and for the “mechanicals”. Please make sure you follow the requirements for the costume design final.

Elizabeth Giron:

You have approval on your project with Taryn: your video takeoff on past scenes from SATURDAY NIGHT LIVE.

Edgar Gonzalez:

You have approval on your acting scenes from BROKEN PROMISES. Please follow format for the acting final.

Vanessa Gray:

Please refer to my response to Monique.

Rio James:

I know you are doing costume designs but could you please tell me the play you will be doing? Please follow the format for the costume design final.

Grace MacMillan:

You have approval on your project: a detective genre (ala “Law and Order) video. Please follow the format for the film making final.

Phoenix Mason:

You have approval on your screenplay. Please follow format for the screenplay finals.




Monique Mejia:

I need two scenes. Find another scene with Vanessa. If you want to do a comedy, a few come to mind: CRIMES OF THE HEART, SWAMP SISTERS (which is hysterically funny). There is also LAUNDRY AND BOURBON. Please give me more information on “The Role of Della”. I need the name of the play, etc.

Alexis Moody:

You must also provide a set design for EQUUS. Perhaps you can collaborate with Caitlin O’Connor - she can work on the set design and you can work on the lighting design.


Zack Moore:

Your project looks good. You will be designing the men’s costumes for HAIRSPRAY. Please be sure you follow the requirements for the costume design final.


Caitlin O’Connor:

I need to know exactly what you are going to be doing on this project. Perhaps you can collaborate with Alexis on the set design for EQUUS. You have approval for the acting scene with Andoni but you must follow the requirements for the acting final.


Princess Wymon:

Your project looks good. You are going to be designing the costumes for the women in HAIRSPRAY. Please be sure to follow the requirements for the costume design final.


Andoni Zorbas:

Your project looks good: Two scenes; one with Caitlin from Christopher Durang’s “For Whom the Southern Bell Tolls” and the other scene (monologue?) from BUBA. Please give me additional information about BUBA - is it a monologue from a play or a scene? Please be sure to follow the format for the acting final.