February 24, 2014 Play Production Agenda

FEBRUARY 24, 2014 - FEBRUARY 28, 2014

AGENDA for PLAY PRODUCTION

Monday, February 24th:

Break into groups and rehearse

Tuesday, February 25th:

Work with Joanna and Emmilie on the "Inciting Moment" for AGNES of GOD

Wednesday, February 26th:

Work with Josue and Daniel on the "Inciting Moment" for TRUE WEST

Thursday, February 27th:

Work with Christian and Omar on the "Inciting Moment" for LONE STAR

TONY TORISSI will be here today.

Friday, February 28th:

Watch the "Inciting Moment" for AGNES of GOD, TRUE WEST, LONE STAR

February 17, 2014 - February 21, 2014 Play Production Class

Monday, February 17th:
No school today

Tuesday, February 18th:
Block schedule today
No 7th Period

Wednesday, February 19th:
Rehearse scenes
Begin work on "The Inciting Moment"

Thursday, February 20th:
Tony Torissi here today
Theatre games!

Friday, February 21st:
Theatre games!

February 10, 2014 - February 14, 2014 Play Production Agenda

Monday, February 10th:
Break into scenes: run scene twice
Work with THE CHILDREN'S HOUR
Begin working on "The Inciting Moment"

Tuesday, February 11th:
Break into scenes: run scene twice
Work with UNCOMMON WOMEN
Continue working on "The Inciting Moment"

Wednesday, February 12th:
Break into scenes: run scenes twice
Work with Jolene
Continue working on "The Inciting Moment"

Thursday, February 13th:
Tony is here; he will work with selected scenes
Break into scenes: run scenes twice
Work with AGNES of GOD
Continue working on "The Inciting Moment"

Friday, February 14th:
Field Trip
Stay in #503 and work on scenes

February 3, 2014 - February 7, 2014 Agenda for Play Production

Monday, February 3rd:

Meisner Exercise with Anton and Annie

Work with TRUE WEST:

Daniel

Josue

Assign the Inciting Moment Exercise

Tuesday, February 4th:

No class today 

Wednesday, February 5th:

Rehearse with JIMMY SHINE:

Pamela

Cody

Work on the Inciting Moment Exercise 

Thursday, February 6th:

Tony Torissi is here

Rehearse with THE CHILDREN'S HOUR:

Edilmira and Jennifer

Work on the Inciting Moment Exercise

Friday, February 7th:

Work on the Inciting Moment Exercise

Rehearse with LONE STAR:

Omar

Christian 

January 27, 2014 - January 31, 2014 Agenda for Play Production

Monday, January 27th:

Review:

THE CHILDREN'S HOUR

Edilmira

Jennifer

UNCOMMON WOMEN

Jayna

Emily

Tuesday, January 28th:

Review:

AGNES of GOD

Emmily
Joanna

LONE STAR

Christian

Omar

Wednesday, January 29th:

Work with:

 THE WOOLGATHERER

Anna

Marat

Thursday, January 30th:

Tony Torissi will be here today

Work with:

JIMMY SHINE

Cody

Pamela

Friday, January 31st:

Work with:

TRUE WEST

Joshue

Daniel 

January 21, 2014 - January 24, 2014 Agenda

Tuesday, January 21st:

Rehearse scenes!
Work with UNCOMMON WOMEN: Jayna and Emily

Wednesday, January 22nd:

Rehearse scenes!
Work with UNCOMMON WOMEN: Jayna and Emily

Thursday, January 23rd:
Tony Torissi will be here today to work on some selected scenes.
Rehearse scenes!
Work with THE CHILDREN'S HOUR: Edilmire and Jennifer
LONE STAR: Christian and Omar

Friday, January 24th:
Rehearse scenes!
Work with JIMMY SHINE: Cody and Pamela
TRUE WEST: Daniel and Josue

Syllabus for Spring Play Production 2016

Welcome to Play Production, the purpose of which is to introduce you to the world of theatre, and to produce plays. I hope Play Production will be fun,  educational and exciting for you.  In this class you will be introduced to the art and craft of acting, where you will learn about character development, script analysis, theatrical terms and conventions.  You will also learn about proper theatre protocol in terms of working with other actors and with the director, and appropriate behavior both as an actor, a theatre technician,  and as an audience member.

We will work on your character’s relationships with the other characters; the character's objectives or motivations. We will use acting exercises such as the "Inciting Event", where you will create a scene which occurs before the play which sets up your character's situation.  Other acting exercises will be the "Entrance Exercise" which is where you enter the room as the character, bringing in with you the character's experiences from the past day.  The "Exit Exercise" is where you exit the room as the character, going into another space, going towards another objective, or destination.  We will also borrow from the great acting masters, such as Sanford Meisner, Stella Adler, Uta Hagen, and of course, Constantin Stanislavski.

The class will start with some vocal, relaxation and/or acting exercises and some theatre games.  Then I will work with one or two groups per class session on blocking, script analysis and character development.  For each scene you do, you will create the "inciting event", the "entrance exercise" and the "exit exercise". After two or three rehearsals with me, you will then perform the scene (WHICH MUST BE MEMORIZED!)  before the class, which will be taped.  You will watch the tape and write a reflection on your work, following a format which will be provided for you.

During the final performance of the scene, you must have the scene memorized exactly the way it is written, you must perform the blocking and the direction as we rehearsed, and you must use props.

You are expected to keep a three-pronged light weight folder in which you are expected to keep all handouts, including this, and your scripts.  You will be given a copy of your script and you are expected to BRING IT EVERY DAY! If you do not, you will receive an "F" for that day; you will be loaned a copy of your script in exchange for some collateral property (cell phone, shoe, backpack). When you return the borrowed script, your property will be returned to you. If you lose your script, then you will have to copy the script out by hand.  Copies are at a premium and there is a very small quota per month to make copies.

You are expected to work on at least one of the following: 

On the spring musical, HAIR SPRAY, either as a performer or as a technician, such as a member of the floor crew, light crew, prop crew or costume crew, or as the light or sound operator.  

Or on the spring production of ALMOST, MAINE, which is a series of eight plays slated for performance on Thursday and Friday, April 7th and 8th in 503.

Or work on scenes in the class which you will perform in Thursday Theatre. You must perform at least two scenes this semester in Thursday Theatre. The first performance must be before March 25th, and the second performance  must be before May 13th.

You are also expected to either attend the Magnet performances of ALMOST MAINE, HAIRSPRAY, and the dance show, or to tech or usher the performances.

There is NO EATING NOR DRINKING FROM CANS in class. We have had in the past a major infestation of rats and cockroaches from food left behind and sticky residue from spilled soft drinks. The custodial staff has been drastically cut and Room 503 is never swept, mopped nor cleaned, except when your teacher does it.  And it's a big room.

You will be graded on your participation.  You are expected to show up on time, ready to participate in all the acting and vocal exercises and theatre games at the beginning of the class, and in all of the assignments and rehearsals of the scenes.  When you are not rehearsing with me, then you must be in your assigned areas rehearsing with your fellow actors.  When you perform your scenes you must have your lines and blocking memorized and perform the scene to the best of your ability.  Failure to do so will result in a much lower grade and perhaps failing the class.

The class will only be as good as we all make it. Please be aware that you are working with other people and that your behavior and effort will affect them, their work and their grade.  Furthermore, it is imperative that we create an atmosphere of respect - respect for our fellow students, respect for the director, and respect for ourselves.  Please show respect by refraining from rude comments or actions, or talking or texting during class.  Please do not text during other students' scenes.  Please remember that it is ILLEGAL and against district policy to record another student during school. Students can only do their best work when they feel safe and valued, so please give positive support during students' performances.

The grading scale is as follows:

90% - 100% = A

80% -   89% = B

70% -   79% = C

60% -   69% = D

Below 60%  = Fail

Participation: 30%

Scene Work: 40%

Group Work: 30%

I look forward to working with you and helping you grow as a young adult, a student and as an artist.

__________________________________________________________

Student:

I have read and I understand the requirements of the class:

__________________________________________________________

Parent or Guardian:

I have read and I understand the requirements of the class:

________________________________________________________________________________

January 21, 2014 - January 24, 2014 Play Production

Tuesday, January 21st:
Rehearse scenes
Work with:
Emily and Jayna on UNCOMMON WOMEN

Wednesday, January 22nd:
Rehearse scenes
Work with:
Emily and Jayne on UNCOMMON WOMEN
Joanna and Emmily on AGNES of GOD

Thursday, January 23rd:
Tony Torissi will be here
Rehearse scenes
Work with:
Edilmira and Jennifer on THE CHILDREN'S HOUR

Friday, January 24th:
Rehearse scenes
Work with:
Josue and Daniel on TRUE WEST

January 13, 2014 - January 17, 2014 Weekly Agenda for Play Production

Monday, January 13th:

Check in. Welcome!

Tuesday, January 14th:

No class

Wednesday, January 15th:

Prepare scenes 

Thursday, January 16th:

Tony Torissi here today. He worked with Pamela and Cody.

I work with Jayna and Emily on UNCOMMON WOMEN

Friday, January 17th:

Break into groups to rehearse.

Rehearse with Jayna and Emily on UNCOMMON WOMEN

2014 Spring Agenda for Play Production

January 13 - 17: 

Work with scenes

Block 

Motivation 

Focus

In the Moment

Relationship

January 20 - 24:

Most Pivotal Moment

Continue Rehearsing Scenes

January 27 - 31:

Most Pivotal Moment

Continue Rehearsing Scenes

February 3 - 7:

Perform scenes

February 10 - 14:

Choose scenes for Class Presentations

Work with scenes

Block

Motivation

Focus

In the Moment

Relationship

February 17 - 21:

Most Pivotal Moment

Continue Rehearsing Scenes

February 24 - 28:

The Entrance Exercise

Continue Rehearsing Scenes

March 3 - 7:

The Exit Exercise
Performances:
Thursday, March 6th @ 3:30
Friday, March 7th @ 3:30 and 7:00

March 10 - 14:

Choose new scenes
Block
Motivation
Focus
In the Moment
Relationship

March 17 - 21:

Most Pivotal Moment

Continue rehearsing scenes 

March 24 - 28th:

Most Pivotal Moment

Continue rehearsing scenes

March 31 - April 4th:

The Entrance Exercise 

Continue rehearsing scenes

April 7 - 11:

The Exit Exercise 

Performance of Scenes

April 14 - 18th:

Spring Break 

April 21 - 25:

Begin rehearsing with the cast of SPRING AWAKENING

April 28 - May 3:

Rehearse SPRING AWAKENING 

May 5 - 10:

Rehearsal and performance of SPRING AWAKENING

May 11 - 18:

Rehearsal and performance of SPRING AWAKENING 

May 19 - 23:

Clean up: costumes, props, lights, sets; clean up stage, backstage and dressing rooms

May 26 - 30:

Theatre games, improvs

May 28th: Last day for Seniors

June 2 - 6:

Finals

December 2, 2013 - December 8, 2013 Weekly Rehearsal and Performance Schedule for DRACULA

Monday, December 2nd: 

1:15 - 2:10:
Rehearse with Seward, Renfield, and Lucy

2:15 - 3:04:
Rehearse with Dracula, Harker

3:15 - 9:00
Run-through
Cue to Cue
Technical Rehearsal with props, costumes, sound and lights

Tuesday, December 3rd: 

Shortened Day

2:00 - 4:15:
Technical Rehearsal

4:15 - 9:00
Run-through
Cue to Cue
Technical Rehearsal with props, costumes, sound and lights

Wednesday, December 4th: 

School Dismissal Time: 2:24

2:30 - 3:30
Technical Rehearsal

3:30 - 9:00
Dress Rehearsal

Thursday, December 5th: 

1:15 - 2:10:
Rehearse with Dracula, Seward, Renfield, and Lucy

2:15 - 3:04:
Rehearse with Harker and Dracula

3:15 - 5:00:
Rehearse with Kiyomi, Kira, Ray, Alex, Eddie, Michael

5:30 Call:
Costume, Make-up, Warm-ups

7:00 pm Curtain
9:30 pm Curtain
Clean up

Friday, December 6th:

1:15 - 2:10:

Rehearse with Dracula, Seward, Renfield, and Lucy

2:15 - 3:04

Rehearse with Harker and Dracula

3:15 - 5:00:

Rehearse with Melissa, Kira, Ray, Alex, Eddie, Michael

5:30 Call:

Costume, Make-up, Warm-ups

7:00 pm Curtain 

9:30 pm Clean up

Saturday, December 7th: 

3:00 - 5:00 Rehearse with Melissa, Wolf, Alex, Eddie, Michael

5:30 Call: 

Costume, Make-up, Warm-ups

7:00 pm Curtain 

9:00 pm Clean up

Sunday, December 8th: 

11:00:

Rehearse with Malik, Wolf, Michael, Lucy, Mina, 

12:00 Call:

Costume, Make-up, Warm-ups

2:00 pm Curtain

4:30 pm Clean up

November 25, 2013 - November 30, 2013 Rehearsal Schedule for DRACULA

Monday, November 25th:
9:00 - 2:00
Run-through of entire play

Tuesday, November 26th:
9:00 - 3:00
Run-through of entire play

Wednesday, November 27th:
9:00 - 2:00
Run-through of Act 2 twice
Run-through of Act 1 once

Thursday, November 28th:
Off

Friday, November 29th:
Off

Saturday, November 30th:
11:00 - 4:00
Run-through of Act 1 twice
Run-through of Act 2 twice

November 18 - November 23rd Rehearsal Schedule for DRACULA

Monday, November 18th:
3:15 - 8:00
Run through of Act 2

Tuesday, November 19th:
3:15 - 8:00
Run through of Act 1

Wednesday, November 20th:
3:15 - 8:00
Run through of entire play

Thursday, November 21st:
3:15 - 8:00
Run through of entire play

Friday, November 22nd:
3:15 - 8:00
Run through of play

Saturday, November 23rd:
10:00 - 2:00
Costume Fitting at Valentino's
7234 Green Bush in Van Nuys

November 12th - November 16th DRACULA REHEARSAL

Tuesday, November 12th:
MUST BE OFF BOOK FOR ACT 1!
3:00 - 7:00: Work through Act 1

Wednesday, November 13th:
3:00 - 7:00: Work through Act  2

Thursday, November 14th:
3:00 -  6:00: Work through Act 2

Friday, November 15th:
3:00 - 6:00: Stumble through

Saturday, November 16th:
9:00 - 2:00: Stumble through of Act 1 and Act 2
with costume pieces and props

November 4, 2013 - November 9, 2013 Weekly Rehearsal Schedule 

Monday, November 4th: 

3:15 - 6:00: Run-through of Act 1

6:00 - 7:00: Pages 30 - 34; Seward, Mina, Van Helsing, Harker, Lucy 

Tuesday, November 5th: 

Shortened Day: 

Rehearsal: 4:30 - 7:00

Run through of Act 1

Wednesday, November 6th: 

3:15 - 6:00: Run-through of Act 2

6:00 - 7:00: Pages 44 - 48; Van Helsing, Seward, Mina, Lucy

Thursday, November 7th: 

3:15 - 6:00: Run-through of Act 2

6:00 - 7:00: Pages 51 - 56; Seward, Lucy, Joana, Mina, Van Helsing and Harker

Friday, November 8th: 

3:15 - 6:00:  Run-through

Saturday, November 9th: 

9:00 - 2:00: Run-through of entire play

November 12th: Must be off-book for Act 1. 

Please don’t forget ad sales!!!

Scene Break Down for Dracula

Act 1

Renfield, Attendants:

Dinner Table

Pages: 9 - 10; 

Lucy and Mina: 

Lucy’s Room at sunset

Pages: 10 - 11; 12 - 14, 19; 

Harker: 

At night in a Carpathian Inn

Pages: 11 - 12; 

Dracula’s Castle

14; 18; 20

Seward and Lucy: 

Lucy’s Room at Noon

Pages: 14 - 16

Seward, Renfield, Attendants: 

Renfield’s Cell

Pages 16 - 18; 19 - 20; 29 - 30

Lucy, MIna, Joana: 

Lucy’s Room 

Pages 12 - 13; 

Harker, Mina, Lucy, Renfield, Seward:

Dracula’s Castle, Lucy’s Room, Renfield’s Cell

Pages 21

Seward and Dracula:

Ship Wreck on the Coast of England 

Pages 22 - 23

Lucy, Mina, Seward, Joana: 

Lucy’s Bedroom; Morning 

Pages 23 - 26

Maid and Dracula:

Lucy’s Front Door; Evening 

Page 26

Mina and Harker

A Sanitarium in Budapest

Pages 26 - 27

Lucy and Dracula:

Lucy’s bedroom, Night

Pages 27 - 28

Van Helsing: 

Alone

Page 30

Van Helsing, Seward, Lucy

Lucy’s Bedroom, Day

Pages 30 - 32

Seward, Mina, Van Helsing, Harker, 

Lucy’s Bedroom, Day

Pages 33 - 34

Van Helsing, Mina

Lucy’s House, Night

Pages 34, 37, 39 - 40, 41

Harker, Dracula

Dracula’s Castle, Night

Pages 35, 38 - 39, 40, 

Vixens, Harker, Dracula

Dracula’s Castle, Night

Page 42 - 43

Mina, Harker, Renfield, Dracula, Van Helsing 

Lucy’s House, Renfield’s Cell, Dracula’s Castle 

Page 43

Act 2

Van Helsing, Seward, Mina

Guest room in the Asylum

Pages 44 - 45

Van Helsing, Mina

Guest room in the Asylum 

Pages 45 - 47

Seward, Lucy, Van Helsing, Mina, Attendant

Guest room in the asylum

Pages 47 - 48

Renfield, Seward, Van Helsing, Attendants

Renfield’s cell

Pages 48 - 51

Seward, Lucy, Joana, Mina, 

Guest room in the Asylum

Pages 51 - 52

Seward and Lucy 

Guest room in the asylum

Pages 52 - 53

Seward, Lucy, Van Helsing, Harker

Guest room in the asylum

Pages 53 - 56

Attendants, Renfield, Dracula

Renfield’s Cell

Pages 56 - 57

Mina, Harker 

The Guest Room

Pages 58 - 59

Renfield

Renfield’s Cell

Page 59 

Van Helsing, Seward, Harker, Lucy

The Cemetery

Pages 59 - 63

Renfield

Renfield’s Cell

Page 64

Harker, Mina, 

The Guest Room

Pages 64 - 65

Van Helsing

Speaking to the audience

Page 65

Van Helsing, Mina, Harker, Seward, Attendant

The Guest Room 

Pages 65 - 69

Mina, Harker, Renfield, Dracula, 

The Guest Room

Pages 69 - 76

Harker, Van Helsing, Seward, Mina, 

On the Orient Express

Pages 76 - 77

Seward, Harker on the Boat/Mina and Van Helsing by Wagon

Pages 77 - 78

Seward, Harker, Van Helsing, Mina, Lucy, Dracula,Vixens

Dracula’s Castle 

Pages 77 - 83

Curtain Call

Renfield with attendants, rest of cast 

At dinner table

Page 83 

October 28, 2013 - November 2, 2013 Rehearsal Schedule for DRACULA

October 28, 2013 - November 2, 2013

Monday, October 28th: 

6th Period: Rehearse with Renfield and Seward, Seward and Lucy 

7th Period: Rehearse with Dracula and Harker

3:15 - 5:00: Rehearse pages 64 - 73

5:00 - 6:00: Rehearse with Van Helsing, Mina, Harker, Seward

Tuesday, October 29th: 

No rehearsal today. 

Work on Haunted House

Wednesday, October 30th: 

6th Period: Rehearse with Renfield and Seward, Seward and Lucy

7th Period: Rehearse with Dracula and Harker

3:15 - 6:00: Rehearse with Mr. Itkin today in room 503

Stumble through of Act 2 to page 73

Thursday, October 31st: 

6th Period: Rehearse with Renfield and Seward, Seward and Lucy

7th Period: Rehearse with Dracula and Harker

3:15 - 5:00: Rehearse from page 74 to 83

5:00 - 6:00: Rehearse with Van Helsing, Seward, Mina, Harker

Friday, November 1st: 

6th Period: Rehearse with Renfield and Seward, Seward and Lucy

7th Period: Rehearse with Dracula and Harker

3:15 - 6:00: Stumble through of Act 2

Saturday, November 2nd:

10:00 - 3:00: Stumble through of Act 1 

October 21, 2013 - October 25, 2013 Weekly Agenda for Dracula

Please be aware that we may call a costume rehearsal this week where we will meet with our costumer who will measure you for costumes.  She will arrive at the earliest by 5:45 which will necessitate our staying until 7. As soon as I know which day she will visit us, I will let you know.
Thank you for your cooperation and understanding.

Monday, October 21st:
6th Period: Rehearse with Renfield and Seward; Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Rehearse Act 2; pages 44 - 52
5:00 - 6:00: Rehearse with Seward, Renfield, Van Helsing and Attendants; Act 2: pages 48 - 51

Tuesday, October 22nd:
6th Period: Rehearse with Seward and Lucy; Seward and Renfield
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Continue rehearsing Act 2; pages 48 - 56
5:00 - 6:00: Rehearse with Dracula and Renfield; Mina and Harker; pages 57 - 59

Wednesday, October 23rd:
6th Period: Rehearse with Seward and Renfield, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 5:00: Rehearse Act 2; pages 59 - 69
5:00 - 6:00: Rehearse with Van Helsing, Seward and Harker; pages 59 - 60; 62 - 63; 66 - 68

Thursday, October 24th:
6th Period: Rehearse with Seward and Renfield, Seward and Lucy
7th Period: Rehearse with Dracula and Harker
3:15 - 500: Rehearse Act 2; pages 69 - 83
5:00 - 6:00: Rehearse with Seward, Mina, Harker, Van Helsing, Dracula, Renfield; pages 76 - 83

Friday, October 25th:
No rehearsal today. I will not be in school today. Please spend your time memorizing your lines!

October 14, 2013 - October 18, 2013 DRACULA REHEARSAL SCHEDULE

Monday, October 14th:
7th Period:
Work with Seward and Lucy
3:15 - 5: 00: Rehearsal
Rehearse pages 71 - 83
Renfield, Dracula, Mina, Harker, Seward, Van Helsing,
5:00 - 6:00
Rehearse Harker and Dracula's scenes
Pages 35 - 39, 38 - 39, 40 - 41

Tuesday, October 15th:
Shortened Day
Dismissal Time: 1:33
3:15 - 5:00: Rehearsal
Rehearse pages 9 - 21
Renfield, Attendants, Mina, Lucy, Harker, Maid, Seward
5:00 -  6:00
Rehearse Lucy and Mina's scenes
Pages 10 - 11, 12 - 14, 19, 23

Wednesday, October 16th:
Shortened Day
Dismissal Time: 2:24
3:15 - 5:00: Rehearsal
Rehearse pages 22 - 30
Seward, Dracula, Lucy, Mina, Maid, Harker, Renfield, Attendant

Thursday, October 17th:
6th Period:
Rehearse with:
Seward and Renfield

7th Period:
Rehearse with:
Dracula and Harker
3:15 - 5:00
Rehearse pages 30 - 43
Van Helsing, Lucy, Seward, Mina, Harker, Dracula, Attendants,
5:30 - 7:30
Parent Conference

Friday, October 18th:
Minimum Day:
Dismissal Time: 12:36
6th Period:
Rehearse with Lucy and Seward
7th Period:
Rehearse with Dracula and Harker
Rehearsal:
1:15 - 5:00:
Rehearse Act 1

October 7, 2013 - October 11, 2013 Weekly Agenda for DRACULA

Monday, October 7th:
7th Period:
Review Act One up to page 30
3:15 - 3:45
Acting Exercises: Commit to memory three phrases from DRACULA which express three aspects of  your character: one phrase from the beginning of the play when your character is in a state of peace, innocence, or has not yet taken a plan of action; one phrase from the middle of the play when your character is in the middle of it all - in a state of confusion, hope, or despair; and one phrase when your character has reached a place of peace, realization, triumph, or destruction.  These phrases represent your character's arc in the play.
3:45 - 5:00
Act One; page 30 - 43
Van Helsing, Seward, Lucy, Mina, Harker, Dracula, Vixens

Tuesday, October 8th:
7th Period: Sandy Meisner Exercise
3:15 - 5:00
Review Act One

Wednesday, October 9th:
7th Period: The Character's Most Pivotal Moment: The Inciting Event
3:15 - 5:00
Act Two:
Pages 44 - 56
Van Helsing, Seward, Mina, Lucy, Renfield, Female Attendant,

Thursday, October 10th:
7th Period: The Character's Most Pivotal Moment: The Inciting Event
3:15 - 5:00
Act Two:
Review: Pages 44 - 56
PRESS ON!
Pages 56 - 65
Dracula, Renfield, Mina, Harker, Van Helsing, Seward, Lucy,

Friday, October 11th:
7th Period: The Character's Most Pivotal Moment: The Inciting Event
3:15 - 5:00
Review Pages 44 - 65
PRESS ON!
Pages 65 - 75
Harker, Mina, Van Helsing, Seward, Dracula,