Tuesday, January 31, 2017

January 30, 2017 - February 3, 2017 Agenda

Monday, January 30th: 

Twenty-Three Ways to Die: Carter, Elizabeth, and Akili
Improvisations – Cultural Appropriations
Avery and Akili working on music 

Lively discussion

Tuesday, January 31st: 

Work on "Twenty-Three Ways to Die" - Carter and Akili
Music 
Passed out new work logs for the week

Wednesday, February 1st:  

Wednesday’s Goal

To continue working on “Black Lives Matter”

Create a structure after the “23 Ways”

What happens next?

Music/Videos/ Photos


Sent Jessyka, Norman, Celeste, Emily, Samantha, Daniel, Jackie, Michelle to learn the “Black National Anthem”


“Black Lives Matter” 
Students pick which of the twenty-three lines they want to say
Carter: BSU wants to present something about “Black National Anthem”
After “Twenty-Three Lives”:
Students pick which of the twenty-three lines they want to say. 
Tableaux:
Person holding a sign with the name of the murdered
Person briefly narrates what happened to the murdered
Tableaux - three quick poses in silhouette
1st Pose/bullet/black out/bullet
2nd Pose/bullet/blackout/bullet
3rd Pose/bullet/blackout/bullet

Thursday, February 2nd:
 


Discussion
Did the final part of “23 Ways to Die” then segued to “Black Lives Matter”
Tableaux – Sandra Bland, Tamir Rice,
Cultural Appropriation:
Music – Black musician’s music ripped off by white musician
Hair – Black girl/White girl in a salon both getting the exact same hair style; walking down the street; white girl given compliments about hair; black girl “dissed” about hair.


Friday, February 3rd: 

Singers:
Emily Ayala, Miriam Bernabe, Elizabeth Dimuro, Avery MacIsaac, Bree-Anna Martinez, Norman Thatch, Samantha Zaragoza, 
Carter and Akili rehearsed the “Twenty-Three Ways” and the ending and the transition.
Millenia – assistant director
Beverly, Emily, Norman, Dale, Chynna, Jess, Elizabeth, Montserrat, Avery, Daniel, Jackie, Michelle,
Jessyka and Hope working on poem




Monday, January 23, 2017

January 23, 2017 - January 27, 2017 Weekly Agenda for Play Production


Monday, January 23rd:

Discussion about class, theatre games
Theatre games: Twenty-Second Characters, the Entrance Game
Chynna, Jess, Carter, Gus
Research:
Chynna: Advertising because Black History is for the entire month! Poster proto-types of Sandra Bland, Rosa Parks, Malcolm X, Lamar Kendricks

Akili: Black Lives Matter website #hashtagphilandocastel, etc. Also went on CNN and New York Times to corroborate.  Read the website information about the murder of Mr. Castel, a cafeteria worker, in front of his girlfriend, and her child.  Philando Castel was pulled over forty nine times in the last three years for minor offenses such as broken tail light.
Alden Sterling, the C.D. seller in front of a store in Louisiana.
Akili found really good pictures.

Norman: Racial Appropriation
“Ten Times Black Culture Was Appropriated in 2015”
Kylie Jenner – has corn rolls but calls them boxer braids
Kim Kardashian – corn rolls
Teen Vogue – using white models for Senegalese hairstyle 

Tuesday, January 24th: 


Passed out folders and the weekly work logs
Discussed the “What Being Black Means to Me” with Akili and the need to coordinate with Polina.
Fast theatre games: “Kitty Wants a Corner”
Present research
New fresh ideas regarding cultural appropriation
Jessyka: Cultural Appropriation – instagram and snapshat. The word “ratched” is now a big thing on the internet. Everything that was considered bad and tacky was called ratched ten years ago, but now that it’s been appropriated by white people it’s considered cool and wonderful.
Jessyka will work with the writers Chris and Dale on a skit about “ratched” and “instagram baddies”.
Akili: Iggy Azalea, Macklemore have appropriated music from the black community.
Went on “Black Lives Matter” to investigate the deaths of Philando Castile, etc. Contributed:
 “Philando Castile was shot sixty two seconds after the traffic stop began.
Alton Sterling – was reported as a very easy-going guy who never posed a problem to anyone. He took off his gun before he was arrested so he was unarmed.
Dale: Emmet Till was one of the best known victims of racism. Originally from Chicago, he moved to Mississippi in the 1950’s, where he was tortured, mutilated, and killed for saying, “Bye, baby” to a white female shop keeper.
Cultural Appropriation: In Belgium “Black Pete” is still part of Christmas celebrations. “Black Pete” is one of Santa’s helpers, who is depicted – usually by white people in black face – as a caricature of blacks. “Black Pete” is the deliverer of punishment to bad children.
Jess – mentioned “Hidden Figures”. Will speak more about this tomorrow on stage.

Wednesday, January 25th: 
Not here today.
Theatre games

Thursday, January 26th: 

Discussion
New Line-up:
Suggestions from Mr. Briggs

Mr. Bah Drumming

Black Anthem

Tai – poem

23 Ways to Die
Dance Guard
Cheyenne and Akili
Tai and Khalah – POW by Alicia Keyes
Jazmine – Poem “And Still I Rise”

Revised Tentative Line-Up: 

As the student body is filing in there will be live drumming, or recorded music
Martin Luther King, George Washington Carver, Hidden Figures, Michael Jackson, Thurgood Marshall,  C.J. Walker, Sojourner Truth, Nelson Mandela, Lewis Howard Latimer – Inventor of the Traffic Light, Benjamin Benneker, Harriet Tubman, Rosa Park, Malcolm X, Barbara Jordan, Abe Lincoln, Bessie Coleman
Mohammed Ali – 20 second speech by Ali (Flo)
Prince
African Tradition of Honoring the Dead – Mr. Bah and Mr. Briggs
“Pouring of Libations” – 3 minutes
 

The Singing of the Black National Anthem – 3:34
(Put  up the lyrics on one side of the screen and pictures of notable people on the other side)
Black National Anthem – Khalah, Tai, and Chynna
Someone begins singing the anthem onstage
Then “random” people with electric candles scattered throughout the auditorium stand up and join in singing the song


Tai – Poem  (Two minutes)
Twenty Three Ways to Die
Dance Guard – Edith (Choreographer) Chandler (Dancer)
Cultural Appropriation
Jazmin – “And Still I Rise”
Video Montage: “What Does Being Black Mean to You?”
Akili and Polina
Prerecorded and edited video of “What Does It Mean to be an African-American?”
Akili and Polina  and Daesha
Three Questions in video: “What do you want people to know about being a black man or a black woman”
The third question will be forthcoming from Daesha Campbell
Will be shot in the NMA office
Dance – “Bottom of the River”
Cheyenne Dioh,  Akili, Noah, Kaelen, Monai

Mr. Briggs:
Black Lives Matter – Twenty Three Ways You Can be Killed if You’re Black in America 
(Khalah)
* Maybe have students do the 23 ways to be killed…

Tribute to Michelle Obama

Cultural Appropriation – (Briggs)
Bridges + 5th Period
Section is introduced by an actor who explains what cultural appropriation is
Then a scene is played by actors to illustrate misappropriation of African American culture (Shania)
Meaning of cultural appropriation

Prison incarceration rate of Black males and females – Mr. Briggs
Why is it happening? – Flo
Scene showing two cocaine users, one white, one black, and the disparate treatment of drug users based on race - Beverly
Meaning of the rising of black incarceration rates

Black Lives Matter (Tai Jones)
Begin with footage of the Rodney King beating  (suggestion by Flo to put at beginning of assembly)
Then fast forward to the present with the beatings within the past four years and the emergence of Black Lives Matter
Archival Material
Students write sketches or speeches about Black Lives Matter and present
Victims of Police Brutality
Examples: Sandra Bland
Have an actor walk on with a sign “I died because I refused to put out my cigarette.”
The actor in the guise of Sandra Bland tells her story.
Then the actor turns the sign around and shows a photo of Sandra Bland.
Example:
The therapist who was shot while attending his patient.
Example:
The man who was pulled over by the police and shot and killed in front of his child while filmed by his girlfriend. 

Michelle and Barack Obama – Mr. Briggs
A portrayal of the Obamas
Obama’s Farewell Speech

Ending:?

Following people want to participate:
Tai, Jazmine, Chrishandala, Madison,




Shania and Carter worked on and staged “Twenty-Three Ways to Die If You Are Black”

Friday, January 27th: 
Went to the Magnets Assembly 

















Tuesday, January 17, 2017

Tentative Line-up of Black History Assembly 2017


In Memoriam: (Briggs)
Mohammed Ali – 20 second speech by Ali (Flo)
Prince
African Tradition of Honoring the Dead – Mr. Bah and Mr. Briggs
“Pouring of Libations”
Video Montage: “What Does Being Black Mean to You?”
Akili and Polina
Prerecorded and edited video of “What Does It Mean to be an African-American?”
Akili and Polina
Dance – “Bottom of the River”
Cheyenne Dioh,  Akili, Noah, Kaelen, Monai
Dance
Dance Guard
Edith – choreographer
Chandler

Mr. Briggs:
Black Lives Matter – Twenty Three Ways You Can be Killed if You’re Black in America (Khalah)
* Maybe have students do the 23 ways to be killed…

Tribute to Michelle Obama

Cultural Appropriation – (Briggs)
Bridges + 5th Period
Section is introduced by an actor who explains what cultural appropriation is
Then a scene is played by actors to illustrate misappropriation of African American culture (Shania)
Meaning of cultural appropriation

Prison incarceration rate of Black males and females – Mr. Briggs
Why is it happening? – Flo
Scene showing two cocaine users, one white, one black, and the disparate treatment of drug users based on race - Beverly
Meaning of the rising of black incarceration rates

Black Lives Matter (Tai Jones)
Begin with footage of the Rodney King beating  (suggestion by Flo to put at beginning of assembly)
Then fast forward to the present with the beatings within the past four years and the emergence of Black Lives Matter
Archival Material
Students write sketches or speeches about Black Lives Matter and present
Victims of Police Brutality
Examples: Sandra Bland
Have an actor walk on with a sign “I died because I refused to put out my cigarette.”
The actor in the guise of Sandra Bland tells her story.
Then the actor turns the sign around and shows a photo of Sandra Bland.
Example:
The therapist who was shot while attending his patient.
Example:
The man who was pulled over by the police and shot and killed in front of his child while filmed by his girlfriend. 

Michelle and Barack Obama – Mr. Briggs
A portrayal of the Obamas
Obama’s Farewell Speech

Ending:
Black National Anthem – Khalah, Tai, and Chynna
Someone begins singing the anthem onstage
Then “random” people with electric candles scattered throughout the auditorium stand up and join in singing the song

Need to lighten the mood – have some comedy! Also need to emphasize the positive accomplishments of African Americans.


Monday, January 16, 2017

January 16, 2017 - January 20, 2017 Weekly Agenda for Play Production

Monday, January 16th: 
No school
Dr. Martin Luther King's Birthday!

Tuesday, January 17th: 
Warm-ups
Theatre games
Go over assignments
Break into crews and begin research
Went over assignments
Went over the format of the assembly 
Break into committees and begin research
Please write down the information you have found: 
Music - include the website, song title, and artist's name
Videos - include the website, the source for the website, and artist's name
News Stories - the source
Make sure the music and video are not R-rated
Make sure you check the credibility of the information 
Check out the information with other credible news sources: 
New York Times, Washington Post, Mother Jones, the Manchester Guardian, Factcheck.org, Politico.org
Make sure you turn it into me with your name on it so you can get credit! 
Please e-mail the research to me you have done at the end of the period:

Assignments for the Black History Assembly

Dale Bockelman - Actor/Writer
Millenia Cadet - Assistant Director/Stage-Manage
Hope Cardona - Director/Stage-Manage
Carter Demus - Writer/Researcher/Director
Elizabeth DiMuro - Writer/Props
Christopher Flores - Writer/Actor
Modi George - Costumes/ Musical Research
Michelle Lopez - Set Crew/Lights
Jacqueline Martinez – Lighting/Props
Jessyka Morena - Props/Writing
Beverly Phillips – Act/Presenter
Montserrat Robles – Props/Research/Writer
Norman Thatch - Singer/Actor 
Gus Torres - Costumes/Musical Research
Chynna Tumalad - Director/Supervisor

Wednesday, January 18th:  

Black Lives Matter

Black Lives Matter Tableau

Michael Brown

Eric Garner

Trayvon Martin

Sandra Bland
Valorie – get in touch with leadership about spreading the information and learning “The Black National Anthem”
Nona – Put the lyrics to the Black National Anthem on the screen so that everyone can sing
Abbey and Shania – have Beyonce’s backdrop of the names of all the people who have died
Flo/Anton – Don’t use the same well-known people like Trayvon Martin but unknown people who have lost their lives
Shania – Cultural Appropriation
Appropriation of hair styles
Racism of High Couture
Luiza – have people wear cornrows, etc.
Grace – personal anecdote
Roger – racism in film
Grace – black model’s skin is lightened
Shania and Abbey
Melding “23 Ways to Die While Being Black in America” with “Black Lives Matter Tableaux” 
– Sandra Bland
 Grace Lyde – speaker telling the story of Sanda Bland 

Thursday, January 19th:
Group discussion about cultural appropriation
Researchers: Dale, Carter, Elizabeth, Chris, Montserrat, Jessyka, Beverly, Norman
Musical Researchers: Modi, Gus
Costumers and props must also do research

Friday, January 20th:

Assignment:
Continue research on news stories having to do with either: Cultural Appropriation or Black Lives Matter.
Black Lives Matter: the lesser known stories
Send to me at the end of the period:
One news story corroborated from two credible news sources.
Plus:
A summary of the news story in your own words
Plus:
An idea on how to stage it.



 




Thursday, January 12, 2017

Assignments for the Black History Assembly

6th Period Assignments for the Black History Assembly:



Leilani Ablaza - Set Crew/Costumes
Emily Ayala - Costumes/Stage Crew
Anton - Actor
Miriam Bernabe - Costumes/Presenter
Dale Brockelman - Actor/Writer
Millenia Cadet - Assistant Director/Stage-Manager
Hope Cardona - Director/Stage-Manager
Flo Dawson - 
Carter Demus - Writer/Researcher/Director
Elizabeth DiMuro - Writer/Props
Christopher Flores - Writer/Actor: Cultural Appropriation of Music
Jess Gallegos - 
Modi George - Costumes/ Musical Research
Daniel Gutierrez - 
Annie K - Actor/Costumes 
Michelle Lopez - Set Crew/Lights
Avery MacIsaac -
Bree-Anna Martinez -  Acting, Singing, Research
Jacqueline Martinez – Lighting/Props
Jessyka Morena - Props/Writing
 Akili Nkosi - dancer, creating questions for interviews, setting up interviews, interviewing subjects, acting, photoshoot of people, creating flyers, publicity
Beverly Phillips – Act/Presenter
Celeste Plata - Lighting/Stage Manager 
Montserrat Robles – Props/Research/Writer
Norman Thatch - Singer/Actor 
Gus Torres - Costumes/Musical Research
Chynna Tumalad - Director/Supervisor
Samantha Zaragoza -  Costumes/Set Crew



Wednesday, January 11, 2017

January 9, 2017 - January 13, 2017 Agenda

Monday, January 9th:
Sign students in
Went over the class syllabus and contract

Tuesday, January 10th:
Warm-ups
Tongue Twisters
Improvs
Discussion of the Black History Assembly
Content, Format, and Structure

Wednesday, January 11th: 
Discussion of the Black History Assembly led by Mr. Briggs
Content, Format, and Structure

Thursday, January 12th: 
Continued discussion of the content, format, and structure of the Black History Assembly
Collected requests of jobs/positions desired by students

Friday, January 13th: 
Social Justice Assembly



Thursday, January 05, 2017

2017 Second Semester Play Production Class Syllabus

January 9, 2017



REVISED SECOND SEMESTER PLAY PRODUCTION CONTRACT

Welcome to Play Production!

The purpose of this class is to produce plays and to learn acting techniques and theatre etiquette. Each semester a play is produced and after the play,  the students then work on acting technique, scenes and monologues.

You will need a light weight notebook for this class in which to put your scripts, your written work, and your work logs. The notebook will be submitted after each production or performance of your scene work.

During the spring semester we will be working on two productions: The first production will be the Black History Assembly, an all-school assembly, which will be held on Friday, February 24th, during sixth period. We will be working on this in January and February during fifth and sixth period.  There will be  two to three days of after school rehearsal the week of February 20th. Each student will choose to do one or more of the following assignments: research, writing, directing, choreographing, dancing, music research, singing, stage-managing, stage crew, lights, sound, props, costumes.  You must keep the script and a log in your notebook detailing your responsibilities, your goals, and what you accomplished, plus the hours, and days that you worked on the show.  After the assembly, you will turn in your notebook with your work logs and your typed reflection on your work.  If  you do not participate in the assembly your grade will be significantly lowered. 

In March and April, we will be casting and rehearsing the small spring production.  The performance dates are: Thursday and Friday, April 20th and April 21st from 4 - 6 p.m.  There will be two to three days of after school rehearsals during the week of April 17th. Each student will be either performing, directing, stage managing, or doing stage crew, lights, sound, props,  costumes, and/or publicity. Again, you must keep the script and a log in your notebook detailing your responsibilities, your goals, and what you accomplished, plus the hours, and days that you worked on the show.  After the production, you will turn in your notebook with your work logs and your typed reflection on your work.  If  you do not participate in the spring production your grade will be significantly lowered. 

The student may salvage his or her grade by writing a ten page research paper in MLA format on some aspect of theatre which will be submitted to turnitin.com.  The student will have to write one research paper for each show the student chooses not to work on.  However, it will be difficult to earn an "A" in the production class without working on the shows. 

You will receive extra credit for performing in the dance show and the musical.

Much of the director’s decisions regarding the amount of rehearsal needed will be dependent upon the actors’ behavior. It is imperative that the actors arrive on time, with scripts, pencils, and props, ready to work.  Failure to do so will definitely result in more rehearsal time for the cast and possible removal from the show and a fail in the class.  In order for the production of the show to be as easy and enjoyable as possible, the following rules should be followed:
   
    Attend every rehearsal and performance on time 
    Have script, pencil, and props with you
    Be ready to work - leave outside drama and baggage outside!
    No talking or fooling around during rehearsal
    No cell phones on stage or during rehearsal
    If there is a problem with another actor please see the director
    Do not give direction to another actor
    Do not talk while the director is talking
    Listen to what the director is saying 
    Always show respect to the cast, the crew, and the director
    Stay until the director dismisses you

Failure to follow these rules or to follow through on performances may result in your dismissal from the play and/or receiving an “F” in this class.

After the show, Play Production will become an acting class, with students working together on scripts as actors and directors.  We may try to schedule a showcase during May where the actors, directors (and those of you who wish to try your hand at writing) present your work during 6th period to other classes.

I hope this is a fun, challenging and enjoyable class for you, and I look forward to working with you.

Sincerely,

Kate Bridges
jkatbridge2004@gmail.com 

I have read the above and understand the requirements of the class:

Student:___________________________________________________

Student email:______________________________________________


Parent:___________________________________________________

Parent email:______________________________________________

   

   

Wednesday, January 04, 2017

Class Overview for the 2017 Spring Semester of Play Production

Class Overview for the Spring Semester of 5th and 6th Period: 

Month of January
Continue working on scenes: 
Vocal Warm-ups
Acting Exercises
Written Work: 
Biography of character
A Day in the Life 
Who-What-Where-When Journal 
Objectives
Pivotal Moment
Performance 
Reflection 

Month of January and February 
Black History Month
Assign crews
Assign jobs:
Writing 
Choreographing 
Music 
Directing
Dancing
Singing 
Acting 
Reflection 

Month of March 
Play - 40 Minute Show 
Audition 
Cast 
Rehearse 

Month of April 
Rehearse 
Performance of 40 minute play 
Reflection 

Continue working on scenes: 
Continue working on scenes: 
Vocal Warm-ups
Acting Exercises
Written Work: 
Biography of character
A Day in the Life 
Who-What-Where-When Journal 
Objectives
Pivotal Moment
Performance 
Reflection 

Month of May 
Continue working on scenes: 
Vocal Warm-ups
Acting Exercises
Written Work: 
Biography of character
A Day in the Life 
Who-What-Where-When Journal 
Objectives
Pivotal Moment
Final Performance 

Reflection