Cue 1:
Act One
Opening:
The Four Seasons - fade when the actors begin speaking
Cue 2:
Act One
Page 4
Cue: Brighella, “And you could do better than to eat at my inn in the square over there, sir.”
Three loud knocks on wooden door -
Haven’t been able to find a good special effects knock
Cue 3:
Act One
Page 10
Beatrice’s Entrance
Vivaldi’s Summer Goes Metal (Only Human - At Vance)
Cue 4:
Act 1, Scene 4
Page 16
Cue:
Pantalone: “Very well, them I will do as you say. I shall see you soon, son-in-law!”
Piano Sonata No. 11 in A Major, Mozart
Fade when the actors begin speaking in Scene 5
Brighella: “Oh, madam, you really fooled them, didn’t you?
Cue 5
Act 1, Scene 6
Page 17
Cue: Brighella: “True! Very true! This way - sir!”
Piano Sonata No. 11 in A Major Mozart
Fade when Truffaldino crawls out from stairs.
Truffaldino, “All I do is hang out all day….”
Cue 6
Act 1, Scene 7
Page 18
Cue: Truffaldino, “But what can I do? I’m not trained up to do anything else. I guess I’ll remain a servant.”
Bach Two Inventions #15 in B Minor
Fade: Florindo, “ Ah, here we are! Brighella Inn. Come along. Come along!”
Cue 7
Act 1, Scene 12
Page 29
Cue: Florindo, “Can the dead arise?”
Heroic Music
Start at 0.57 on Sarabande
Fade out when Truffaldino enters
Cue 8
Act 1, Scene 17
Page 39
Cue: Entrance of Clarice
Highway to Hell by 2Cellos
Cue 9
Act 1, Scene 21
Page 44
Cue: Clarice, “Now You’ve Made Things Worse!”
Highway to Hell by 2Cellos
Cue 10
Act 1, Scene 22
Page 48
Cue: Pantalone, “Oh god, how does it work?”
Gunshots
Cue 11
Act 1, Scene 23
Page 48
Cue: Beatrice, “Stay! Father-in-law!
Vivaldi’s Summer Goes Metal
Cue 12
Act 1, Scene 28
Page 51
Cue: Silvio crosses downstage
Chopin’s Prelude #20 in C
Cue 13
Act 1, Scene 34
Page 61
Cue: Truffaldino, “On the lasagna!”
William Tell Overture
Cue 14
Act 1, Scene 34
Page 72
Cue: Blackout
Explosion
Cue 15
Act 1, Scene 34
Page 72
Cue: Slow Fade of lights into intermission
Vivaldi’s Summer Goes Metal
Act Two
The Master of Two Servants
Sound Cue Sheet
Intermission
Single Ladies
Bohemian Rhapsody
Fade as lights come up
Cue #1
Scene 1, page 73
As lights come up, soft romantic music is playing and people laughing
Cue #2
Scene 2; page 77
Tango/Crazy in Love Mash-up
Cue: Smeraldina: “It wasn’t him after all. It was some stranger!”
Truffaldino enters at upstage right door
Truffaldino and Smeraldina dance
Cue #3
Scene 6; page 84
Cue: Truffaldino, “If I do them both together, it’ll save a bit of time and I’ll keep on the right side of both of them. Waiter! Waiter!”
Piano Sonata No. 11 in A Major, Mozart
Cue #4
Scene 7; page 96
Cue: Truffaldino, “So, I’m not a servant of two masters, after all! It’s one master and one – Hey! Hey!”
“At Vance – Four Seasons: Spring”
Cue # 5
Scene 11; page 101
Cue:
Florindo: “My love!”
Beatrice: “My all!”
“Ah, Sweet Mystery of Life!”
Cue #6
Scene 15; page 15
Florindo:”Very well, I could deny no man the joys of love. Come!”
“At Vance – Four Seasons: Spring”
Cue #7
Scene 20; page 119
Queen “Bohemian Rhapsody
Curtain Call
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