Monday, December 11, 2017

Into the Woods Contract


Royalties handled by MTI – Music Theatre International

Contact person for California – Kyle Rutkowski (212)541-4684

Into the Woods Contract

Performance dates May 11, 12, 13 and May 18, 19, 20 (6) at $185

Rental Flat Rate:   $900

If we pay by check, we can roll the $400 security fee in with the royalties. If we pay by purchase order, then we have to send a separate check for the $400.

$325 additional fees for:
Stage Manager’s Script ($25)
Rehearscore (digital) $300
 Plus:
Patch – synthesizer on piano which can add strings and horns to orchestration
Amount to be determined. Paid to separate vendor: Realtime Music Solution (www.rms.biz.com)

$200 for advance shipment of scripts.



December 11, 2017 - December 15, 2017 Weekly Agenda


Monday, December 11th: 
Paired Sophia with Daylan and cut the scene from pages 61 – 67 to 64 – 67.
Had Carter direct Maddie and Ivonne on The Servant of Two Masters
Worked with The Scarlet Heart  - cut it and polished.

 Wednesday, December 12th:
Students worked on their scenes in preparation for their finals.
Worked with The Imaginary Invalid - Daylan, Brana, and Francisco

Thursday, December 13th: 
Students presented their scenes: 
The Scarlet Heart 
Alice, Chandler, Elizabeth, Grace,  Jacqueline, Michele, Sophia, Vlad 

The Servant of Two Masters 
 Ivonne - Clarice
Maddie - Beatrice 

The Imaginary Invalid 
 Daylan - Argan
Brana - Toinette
Francisco 

The Miser 
 Emily
Yubendi
Pedro 

The Miser 
Amy
Katherine 

This is a brief reflection on your work in this class.  Please type your answers and submit to schoology. 

 Please answer the following questions: 

1. What were your expectations of this class? 
2. What were the parts of the class you enjoyed the most? Why?
3. What parts of the class, the assignments, the daily routine of the class did you find the most beneficial? Why?
4. What were the parts of the class, the assignments, the daily routines you enjoyed the least?  Why?
5. What were the parts of the class, the assignments you found not particularly helpful?
6. If you did not participate in the Halloween show or the fall production, why did you decide not to?
7. What would you change about the class? Why?
8. How would you rate your participation in the class? Explain why you would give yourself that rating.
9. Did you try your best in your scenes - why or why?
10. What approach to rehearsing could you have improved on?
11. Did you try to push yourself out of your comfort zone? If not, why didn't you? Do you regret not trying?
12. What do you wish your scene partner(s) and other members of the class would have done differently?
13. What were some of the challenges you faced in this class?
14. What approach will you try to do next semester to overcome these challenges?

Monday, December 04, 2017

December 4, 2017 - December 8, 2017 Weekly Agenda

Monday, December 4th: 
Students break into scenes today and rehearse
Worked with The Scarlet Heart

Tuesday, December 5th: 

Improv to welcome the new student in:
First day at Hollywood
New kid, slacker kid, teacher’s pet, mean teacher, less than helpful counselor
Alice, Chandler, Jessica, Yubendi, Yaslynn, Sophia,
Students divide into scenes and rehearse
Joan, Ivonne, Katherine – absent
Worked with The Scarlet Heart – pages 26, 27, etc.


Wednesday, December 6th: 

Assigned Carter, Maddie, Angel scripts to read for next semester.

Carter to work with Ivonne in The Servant of Two Masters  

Assigned the cast of The Scarlet Heart to cut the last three pages.

Worked with:

The Miser

Yubendi, Pedro, Emily

 Read through and blocked the first part

Thursday, December 7th: 
 Theatre games: "Graveyard!"
Worked with and blocked The Miser
Emily, Pedro, Yubendi  

Friday, December 8th: 

Discussed with the cast of The Scarlet Heart alternatives to performing the whole play.

Instead of doing the entire play of The Scarlet Heart, the actors would like to perform individual scenes that showcase their characters.
The scenes would go in chronological order
The scenes would use other actors who are in the scenes
If one actor is involved in a small role in a scene, then the other actors in the scene should reciprocate and act in the scene that features the actor.
Sophia wants to write a monologue for her character
Sophia could be the narrator to provide transitions between the scenes.
Jacqueline could also be the narrator
Who ever is the narrator should also write it along with someone else.

Students break into scenes and rehearse.
Worked with Brana, Daylan, and Francisco

Discussed with Carter, Maddie, and Ivonne the idea that Carter direct Maddie and Ivonne in the Clarice and Beatrice scene in The Servant of Two Masters. 






Friday, December 01, 2017

November 30, 2017 - December 3, 2017 Scene Breakdowns

-->
The Servant of Two Masters  Act 1
Scene 1: Doctor, Pantalone, Smeraldina, Brighella, Silvio, Grace, Emily, Clarice
First Line: Doctor, “Signor Pantalone, we are met here for the happy occasion….”
Clarice and Silvio’s engagement.

Scene 2: Truffaldino enters to announce his master’s arrival
First Line: Truffaldino, “Greetings, respects and heartiest salutations…”

Scene 3: Beatrice enters to claim the dowry money that Pantalone owes her.
First Line: Beatrice, “Signor Pantalone?....Allow me to issue a rebuke.”

Scene 4: Beatrice,  Pantalone, Brighella, Grace, Emily
First Line: Beatrice, “Signor Pantalone, we must do all we can to treat her gently.”

Scene 5: Brighella, Beatrice, Grace
Stage Right at outside bistro
First Line: Brighella, “Oh, madam, you really fooled them, didn’t you?”

Scene 6: Truffaldino’s soliloquy
Enters from staircase
First Line: “I’m right fed up, I am. I do nothing but hang around all day.”

Scene 7: Florindo’s Entrance – Florindo, Francisco, Truffaldino
Florindo enters with Porter bearing his trunk
First Line (from offstage left): Florindo, “Thank you, gondolier!”

Scene 8: Truffaldino, Florindo
Florindo hires Truffaldino to serve him.
First Line: Truffaldino, “I have taken the liberty of booking you in, sir!”

Scene 9: Truffaldino, Beatrice, Brighella, Grace
Beatrice shows up, checks into the same inn as Florindo, and order Truffaldino to get her trunk and go to the post office for her letters.
Truffaldino scores some bread from Brighella stage right at the bistro.
First Line: Truffaldino, “I thought I handled that rather well.”

Grace, Emily, Brighella strike table and chairs from outdoor bistro

Scene 10: Truffaldino encounters Silvio in the street who orders him to fetch his master for him.
First Line: Truffaldino, “There’s enough people looking for one master.”

Scene 11: Silvio, Truffaldino, Florindo
Silvio realizes he doesn’t know Florindo and has made a mistake.
First Line: Silvio, “Ooh, I am resolved.”

Scene 12: Florindo’s soliloquy in which he realizes that perhaps Federigo might not be dead and worries about Beatrice’s fate.
First Line: Florindo, “What’s this? Can the dead arise?”

Scene 13: Truffaldino, Francisco, Florindo, Brighella, Grace
Truffaldino, mixing up the letters from Florindo and Beatrice, concocts a story about a guy named Pasquale to explain why he has letters from another person.
Florindo opens a letter addressed to Beatrice and realizes she has left Turin dressed in men’s clothing to search for him.
Insert: Brighella and Grace enter from the inn with Grace toting a box labeled “Pasquale.”
First Line: Truffaldino to Francisco stage left, “Straight on, mate! Hard right!”

Scene 14: Truffaldino, Grace, Francisco
Truffaldino steals some bread from Grace (xing from stage left to right with bread basket) to seal up Beatrice’s letter.  Francisco comes back on from SL with trunks demanding to know how much longer he has to wait.
First Line: Truffaldino, “What about that, then?”


Scene 15: Beatrice, Truffaldino,
Beatrice is annoyed when Truffaldino gives her the letter resealed with bread. She gives him the key and orders him to air out her clothes.
First Line: “Ah, my trunk!”

Scene 16: Florindo, Truffaldino
Florindo gives his key to Truffaldino and orders him to air out his clothes. Florindo tells him to see this Pasquale guy to find out whom he serves, and agrees to allow Truffaldino to order lunch.
First Line: Florindo, “Now then, my man, have you put my trunk in my room?”

Scene 17: Pantalone, Clarice
Clarice is crying and Pantalone orders her to marry Federigo.
Pantalone, “Daughter, daughter, I’ll not be bamboozled.”

Scene 18: Smeraldina, Pantalone, Clarice
Smeraldina enters and announces Federigo’s arrival.
First Line: Smeraldina, “Sir! Master! Signor Pantalone!”

Scene 19: Smeraldina, Pantalone, Clarice, Beatrice
Beatrice enters
First Line: Smeraldina, “Signor Federigo Rasponi!” (Smeraldina exits)

Scene 20: Clarice, Beatrice
Beatrice reveals to Clarice she is a woman and swears her to secrecy.
First Line: Clarice, “Oh, I’ll not marry! Never! Not even if they drag me to the altar!”
Scene 21: Pantalone, Clarice, Beatrice
He catches the two girls hugging and misinterpreting the hug, moves the wedding to the next day.
First Line: Beatrice, “Give me your hand as a sign of your love and loyalty.”

Scene 22: Doctor, Silvio, Pantalone
The doctor catches his son with drawn sword to threaten Pantalone. His father counsels him that the law is on their side. Doctor Lombardi encounters Pantalone as he is leaving  his house. They argue and threaten each other, both claiming the law is on their side.
The doctor leaves; Silvio returns and overhears Pantalone insulting his family and challenges him to a duel.
First Line: Doctor, “Silvio, my boy! What are you doing?”

Scene 23: Beatrice, Pantalone, Silvio
Beatrice enters as Pantalone and Silvio are preparing to duel. Pantalone pulls gun on Silvio. Beatrice duels with Silvio.
First Line: Beatrice (entering) “Stay! Father-in-law!”

Scene 24: Clarice, Beatrice, Silvio
Clarice enters to stop Beatrice from killing Silvio.

Scene 25: Clarice, Silvio
Clarice and Silvio fight and break-up. Clarice tries to kill herself.
First Line: Clarice, “Oh, my darling Silvio! Are you safe?”

Scene 26: Smeraldinda enters to stop Clarice from killing herself.

Scene 27: Smeraldina lectures Silvio.
First Line: Smeraldina, “What do you think you’re at then? Stand by? Let her do herself in?”

Scene 28: Silvio’s soliloquy
First Line: Silvio, “Oh, Clarice, you have deceived me!”

Scene 29: Truffaldino, Beatrice
Finally, Beatrice tells Truffaldino it’s time to eat. Truffaldino asks to do the ordering, which she agrees to. She then gives him a bank note worth 4,000 crowns and tells him to put it in her trunk.
First Line: Truffaldino, “You’d never believe it – two masters and none of ‘em’s had their dinner yet.”

Scene 30: Truffaldino, Brighella
They discuss the laying of the table and in the process tear up Beatrice’s banknotes.
First Line: Truffaldino,”Brighella!”

Scene 31: Beatrice, Truffaldino, Brighella, Pantalone
Beatrice catches Truffaldino tearing up her banknotes and considers beating him. They then discuss the dinner plans. Beatrice tells Brighella to have Truffaldino to serve them.

Scene 34: Truffaldino, Beatrice, Pantalone, Florindo, Brighella, Jessalie, Grace, Emily, Francisco, Audrey, Angel
Brighella mimes Truffaldino to prepare the food. Truff orders Grace and Francisco to move usl bench to dsl. Emily enters sl with pot of hot pea soup.
The preparation of the meal.
First Line: Truffaldino, “Soup? Would you kindly oblige me by taking your seats in the other room, sir, with your spoons at the ready? 

-->
Act 2 Breakdown of The Servant of Two Masters

Scene 1:
Smeraldina, Francisco
Smeraldina has a letter from Clarice to give to Beatrice who is in the tavern.
She calls Francisco who enters from the inn, SR, to fetch Beatrice’s servant, Truffaldino.
First line: Smeraldina, “ Here’s a fine how d’ye do, if you like.”

Scene 2:
Truffaldino, Smeraldina
Smeraldina gives Truffaldino the letter from Clarice. Truffaldino courts Smeraldina with a tango and a rose.
First line: Truffaldino, “You sent for me, Signorina?”

Scene 3:
Truffaldino, Smeraldina, Beatrice, Pantalone
Beatrice and Pantalone catch them rolling around in the streets making out. The servants play “keep away” with the letter; Pantalone chases Smeraldina.

Scene 4:
Beatrice, Truffaldino, Grace, Florindo enters SR when Beatrice exits SL 
Grace enters from inn and sweeps. Beatrice “beats” Truffaldino.
First Line: Beatrice, “Poor, sad Clarice.”

Scene 5:
Truffaldino, Florindo, Grace
Florindo “beats” Truffaldino with Grace’s broom

Scene 6:
Truffaldino, Grace, Francisco, Florindo – offstage left
Grace and Francisco bring out the trunks of Beatrice and Florindo. Truffaldino mixes  up Florindo’s miniature portrait and Beatrice’s letters, putting his miniature  in Florindo’s trunk, and Beatrice’s letters that she wrote to Florindo in her trunk.
First Line: Grace, “Yes, whaddya want?”

Scene 7:
Florindo, Truffaldino
Truffaldino makes up story about why Florindo’s miniature was in his trunk, which leads Florindo to think Beatrice is dead.
First Line: Florindo, “What on earth are you doing?”

Scene 8:
Truffaldino, Beatrice, Pantalone, Grace
Truffaldino tells Beatrice a wild tale about why her letters to Florindo were in her trunk, leading her to believe Florindo is dead. Truffaldino and Pantalone find out that “Federigo” is a woman.
First Line: Truffaldino, “What’s up with him, then?”

Scene 9:
Doctor, Pantalone
Pantalone tries to tell the doctor that Federigo is a woman, but the doctor will not listen.
First Line: Doctor, “Ha, I hate and despise that dog, that rascal, that scoundrel,  Pantalone!”

Scene 10:
Pantalone, Silvio
Pantalone manages to get through to Silvio that Federigo is a woman.
First Line: Pantalone, “And  pons asinorum to you!”

Scene 11:
Brighella, Grace, Francisco, Beatrice, Florindo
The lovers try to kill themselves until they both realize the other is still alive!
First Line: Brighella, “Stay!  No!”

Scene 12:
Florindo, Beatrice, Brighella
The lovers send for Brighella to find the two rascal servants, Truffaldino and Pasquale, and bring the scamps to them.
First Line: Florindo, “Tell me, my dearest, what brought you to such desperation?”

Scene 13:
Florindo, Beatrice,
Beatrice tells Florindo that her brother is dead.  Florindo tells her about the letter from Maria falling into his hands that Beatrice is disguised as a man. They both discuss how to deal with the two servants.

Scene 14:



 















Monday, November 27, 2017

November 27, 2017 - December 1, 2017 Weekly Agenda

 Monday, November 27th:
 Broke into groups to work on scenes.
Worked with The Miser:
Amy and Katherine

Tuesday, November 28th: 
Students rehearse their scenes


Wednesday, November 29th: 
Rehearsal for The Servant of Two Masters

Thursday, November 30th: 
Rehearsal for The Servant of Two Masters 

Friday, December 1st: 
Students break into groups and rehearse their scenes. 

Sound Cues for The Servant of Two Masters

Act 1 Sound Cues for The Servant of Two Masters 

Cue 1: 
Act One
Opening:
The Four Seasons - fade when the actors begin speaking

Cue 2:
Act One
Page 4
Cue: Brighella, “And you could do better than to eat at my inn in the square over there, sir.” 
Three loud knocks on wooden door -
Haven’t been able to find a good special effects knock 

Cue 3: 
Act One
Page 10
Beatrice’s Entrance 
Vivaldi’s Summer Goes Metal (Only Human - At Vance)

Cue 4:
Act 1, Scene 4 
Page 16
Cue: 
Pantalone: “Very well, them I will do as you say.  I shall see you soon, son-in-law!” 
Piano Sonata No. 11 in A Major, Mozart 
Fade when the actors begin speaking in Scene 5
Brighella: “Oh, madam, you really fooled them, didn’t you? 

Cue 5 
Act 1, Scene 6
Page 17
Cue: Brighella: “True! Very true! This way - sir!”
Piano Sonata No. 11 in A Major Mozart 
Fade when Truffaldino crawls out from stairs.
Truffaldino, “All I do is hang out all day….”

Cue 6
Act 1, Scene 7
Page 18 
Cue: Truffaldino, “But what can I do? I’m not trained up to do anything else. I guess I’ll remain a servant.” 
Bach Two Inventions #15 in B Minor 
Fade: Florindo, “ Ah, here we are! Brighella Inn. Come along. Come along!” 

Cue 7
Act 1, Scene 12
Page 29 
Cue: Florindo, “Can the dead arise?” 
Heroic Music 
Start at 0.57 on Sarabande 
Fade out when Truffaldino enters 

Cue 8
Act 1, Scene 17
Page 39 
Cue: Entrance of Clarice
Highway to Hell by 2Cellos 

Cue 9
Act 1, Scene 21
Page 44 
Cue: Clarice, “Now You’ve Made Things Worse!” 
Highway to Hell by 2Cellos 


Cue 10 
Act 1, Scene 22
Page 48
Cue: Pantalone, “Oh god, how does it work?” 
Gunshots 


Cue 11 
Act 1, Scene 23
Page 48
Cue: Beatrice, “Stay! Father-in-law!
Vivaldi’s Summer Goes Metal 

Cue 12 
Act 1, Scene 28
Page 51 
Cue: Silvio crosses downstage 
Chopin’s Prelude #20 in C 

Cue 13
Act 1, Scene 34
Page 61
Cue: Truffaldino, “On the lasagna!” 
William Tell Overture 

Cue 14
Act 1, Scene 34
Page 72
Cue: Blackout
Explosion 

Cue 15
Act 1, Scene 34
Page 72
Cue: Slow Fade of lights into intermission 
Vivaldi’s Summer Goes Metal 












Act Two 
The Master of Two Servants
Sound Cue Sheet

Intermission
Single Ladies
Bohemian Rhapsody
Fade as lights come up

Cue #1
Scene 1, page 73
As lights come up, soft romantic music is playing and people laughing

Cue #2
Scene 2; page 77
Tango/Crazy in Love Mash-up
Cue: Smeraldina: “It wasn’t him after all. It was some stranger!”
Truffaldino enters at upstage right door
Truffaldino and Smeraldina dance

Cue #3
Scene 6; page 84
Cue: Truffaldino, “If I do them both together, it’ll save a bit of time and I’ll keep on the right side of both of them. Waiter! Waiter!”
Piano Sonata No. 11 in A Major, Mozart

Cue #4
Scene 7; page 96
Cue: Truffaldino, “So, I’m not a servant of two masters, after all! It’s one master and one – Hey! Hey!”
“At Vance – Four Seasons: Spring”

Cue # 5
Scene 11; page 101
Cue:
Florindo: “My love!”
Beatrice: “My all!”
“Ah, Sweet Mystery of Life!”

Cue #6
Scene 15; page 15
Florindo:”Very well, I could deny no man the joys of love. Come!”
“At Vance – Four Seasons: Spring”

Cue #7
Scene 20; page 119
Queen “Bohemian Rhapsody
Curtain Call











Sunday, November 26, 2017

November 27, 2017 - December 3, 2017 Servant of Two Masters Rehearsal Schedule

Monday, November 27th: 
3:30 - 7:30
Costumes
Props
Lights 
Run-through 
Work on the following scenes and others as needed:
Act 1, Scenes 14, 30, 34
Act 2, Scenes 2, 6

Tuesday, November 28th: 
3:30 - 7:30
Run-through with costumes, props, lights, etc

Wednesday, November 29th: 
1:30 - 7:30 
Auditorium 
Run-through with costumes, props, lights, etc.
Work on the following scenes and others as needed: 
Act 1, Scenes 14, 30, 34
Act 2, Scenes 2, 6
Run-through 

Thursday, November 30th: 
9:15 - 4:00
Auditorium
Work on the following scenes and others as needed:
Act 1, Scenes 14, 30, 34
Act 2, Scenes 2, 6
Run-through
4:00 - 5:00
Dinner and Rest
5:00 - 7:00
Get into costume and make-up
Get miked (no eating or drinking after the mikes are put on)
7:00 - 9:30
Performance!
9:30
Hang-up costumes and put away props

Friday,  December 1st: 
3:30 - 4:30
Work on those scenes as needed
5:00 - 7:00
Get into costume, make-up, and get miked
7:00 - 9:30
Performance!
9:30
Hang-up costumes and put away props

Saturday, December 2nd: 
Possible 3:00 call TBA
5:00 Call
Get into costume, make-up, and get miked
7:00  - 9:30
Performance!
9:30
Hang up costumes and put away props

Sunday, December 3rd:
12:00 Call 
Get into costume, make-up, and get miked
2:00 - 4:30 
Performance 
4:30 
Hang up costumes and put away props 








Tuesday, November 21, 2017

November 19, 2017 - November 25, 2017 Rehearsal Schedule for The Servant of Two Masters

Sunday, November 19th: 
Act 1, Scenes 2, 3, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 29, 30, 31, 32
Act 2, Scenes 1, 2, 5, 6, 7, 8, 15, 19, 20

Monday, November 20th: 
Act 2, Scenes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20

Tuesday, November 21st: 
Act 1, Scene 34
Act 2, Scenes 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20
Ran Scenes 16 - 20 twice
Work on Act 2, Scenes 6, 7, 8

Friday, November 24th: 
Act 1, Scene 34
Work on Truffaldino scenes:
Act 2, Scenes 1, 2, 3, 4, 5, 6,
Rehearse the tango
Rehearse the sword fight


Saturday, November 25th: 
Act 1, Scenes 2, 3, 4, 5, 6, 7, 8, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 20, 21, 23, 24, 25, 28, 29, 30, 31, 32, 34


Monday, November 13, 2017

November 13, 2017 - November 17, 2017 Weekly Agenda


 Monday, November 13th:
 Journals are due.
Scenes rehearse!
Worked with The Scarlet Heart 

Tuesday, November 14th: 
Theatre Games led by Yaslynn:
Freeze-tag
Murder
Break into groups
Worked with The Scarlet Heart
Joan, Michelle, Jackie, Alice

Wednesday, November 15th:  
Theatre Games:
Back Story
Television
Actors work on scenes
Worked with The Scarlet Heart – got up to page twenty-five

Thursday, November 16th: 
Ty, Yasslyn ran theatre games:
Freeze
Alphabet T.V.

Worked with Carter and Angel on sword scene
Worked with The Scarlet Heart
Pages 23 - 26



November 13, 2017 - November 18, 2017 Weekly Rehearsal Schedule

Monday, November 13th:
3:30 - 7:30
Auditorium
Rehearse Act 1, Scene 34
Tango
Run-through of Act 1
Rehearse individual scenes

Tuesday, November 14th: 
4:30 - 7:30
Rehearse Act 1, Scene 34
Run Act 1, Scenes 1, 2, 3, 4, 5, 16, 17, 18, 19, 20
Rehearse Act 2, Scene 2

Wednesday, November 15th: 
3:30 - 7:30
Sword Fight Tutorial with Kevin Moran:
Carter and Angel
Winston and Audrey are rehearsing for the Nigerian King's visit
Rehearsing Act 1, Scenes 1, 2, and 3
Run Act 1, Scene 34 four times

Thursday, November 16th: 
Run Act 1, Scene 34 three times
Stagger through of entire play


Friday, November 17th: 
Ran Act 1, Scenes 1, 3, 4, 5, 11, 12, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 31, 32

Saturday, November 18th: 
Act 2, Scene 9, 10, 11, 12, 13, 14, 15, 16, 17, 18,
Florindo: Act 2, Scene 7, 8, 9, 13, 16, 17
Pages 62, 83, 102, 103
Scenes 13, 14, 16, 17, 18, 20




Saturday, November 11, 2017

November 6, 2017 - November 9, 2017 Weekly Agenda for Servant of Two Masters

Monday, November 6th: 
3:30 - 7:30 
Review Act 1 

Tuesday, November 7th: 
4:30 - 6:50 
Review Act 2

Wednesday, November 8th: 
3:30 - 7:30 
Review Act 1 

Thursday, November 9th: 
3:30 - 7:30 
Work on Act 1, Scene 34
Review: 
Act 2, Scenes 9, 10, 11, 12, 13, 16, 18 
Review: 
Act 1, Scenes 11, 12, 17, 18, 19, 20, 21, 22, 23, 
24, 25, 26, 27, and 28

No rehearsals until Monday, November 13th, from 3:30 - 7:30 

Monday, November 06, 2017

November 6, 2017 - November 9, 2017 Weekly Agenda for Play Production

Monday, November 6th:

Working on the character bio and the “Who-What-When-Why- How” journal

Tuesday, November 7th: 

Continue working on “Who-What-When-Why-How” journal and autobiography
Continue to work on scenes 

Wednesday, November 8th: 
Everyone work on their scenes
Reviewed the blocking on The Scarlet Heart 
 
Thursday, November 9th: 
Everyone worked on their scenes
I had to attend a meeting
Ms. Hertzner subbed for me. 
On Monday, journals will be due!

Friday, November 10th: 
No school today! 


November and December Rehearsal and Performance Schedule for The Servant of Two Masters

Sunday
Monday
Tuesday
Wednesday
Thursday
Friday
Saturday
October 29
October 30
October 31
Rehearsal
Act One Run-through 
3:30 - 6:30
November 1
Rehearsal 
Act One Run-through
3:30 - 6:30
November 2
Rehearsal 
Act Two Run-through
3:30 - 6:30
November 3
Rehearsal 
3:30 - 4:30 Act Two Scenes 
November 4
Rehearsal 
503
10:00 - 2:00
Rehearsal
November 5
Rehearsal 
503
12:00 - 3:00
Rehearsal 
November 6
Rehearsal Act One 
Run-through 
3:30 - 7:30
November 7
Rehearsal Act One 
Run-through 
3:30 - 7:30
November 8
Rehearsal Act Two  
Run-through 
3:30 - 7:30
November 9
Rehearsal Act Two 
Run-through 
3:30 - 7:30
November 10
No school
November 11
Rehearsal Full Run-through 
9 - 3
November 12
November 13
Rehearsal Act One 
Run-through 
3:30 - 7:30
November 14 Rehearsal Act Two 
Run-through 
3:30 - 7:30
November 15
Rehearsal Full Run-through 
3:30 - 7:30
November 16
Rehearsal Full 
Run-through 
3:30 - 7:30
November 17
Rehearsal Full Run-through 
3:30 - 7:30
November 18
Rehearsal Full Run-through 
9:00 - 3:00
November 19
9:00 - 2:00 
Auditorium 
November 20
9:00 - 2:00 
Auditorium 
November 21
9:00 - 2:00
Auditorium 
November 22
November 23
November 24
November 25
November 26
Unconfirmed 

November 27
Cue to Cue 
3:30 - 7:30
November 28
Costumes
3:30 - 7:30
November 29
Dress Rehearsal 
3:30 - 7:30
November 30
9:00 - 3:00 Rehearsal 
Performance: 
7:00 - 9:00
December 1
Rehearsal 
1:00 - 4:00
Performance: 
7:00 - 9:00
December 2
Call: 5:00 
Performance 
7:00 - 9:00
December 3
Call: 12:00 
Performance 
2:00 - 4:30